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It put a bit of narrative weight behind the monstrosity of the bomb and it's use and depicted it in a very visceral horrifying way. But... the narrative weight was almost entirely on how it effected Robert's feelings about the project and future projects and the consequences he experienced professionally and socially from that change in sentiment. Which is to say... man heads project to build bomb, bomb kills hundreds of thousands of civilians and starts global nuclear armament, man feels regret and gets career ruined as a result. So, yeah, I think he's pretty right. They dodged depicting the actual devastation of the Japanese people, not even showing the bombs going off in the cities, nor showing a single Japanese person. It's all off camera and the only real lasting effect demonstrated is Robert's guilt. That's obviously central to a biopic about Oppenheimer, but they made a specific choice to avoid showing the actual destruction, probably to maintain as much sympathy as possible for him, I think.
Or, it's about Oppenheimer. We all know what the bombs did to Japan. It's well known history. Not every detail of a world needs to be explored and explained again when we already know it. I don't think most World War II war movies detail the end of the war. Most movies don't detail singular deaths with accuracy.
I'm pretty sure the images from Japan were shown to Oppenheimer. I'm also pretty sure it shaped his decisions in what he created. I think OP is correct. Omitting it created sympathy and drove the narrative that Strauss got away with framing him.