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[-] burliman@lemm.ee 6 points 1 year ago* (last edited 1 year ago)

And I agree with them. When I learn to paint or take a cool picture, I may learn and be inspired from copyright materials. No one asks successful artists to audit the training materials that inspired them. But start telling AI companies they must do that, and I guarantee the precedent will be set to go after a human for learning from them. Don’t you dare tell people who you were inspired from when you make it big in your craft.

When I pay AI companies for anything, it’s not a proxy for copyright material, it’s for a service they provide serving, processing, or training the model. We will still require artists and creative people, even if all they do is skillfully prompt an AI tool to render art. But doing only that will be banal and not the pinnacle of what can be achieved with AI-assisted art creation. Art will still require the toil and circumstance that it always has.

Restricting AI from training on copyright materials is a vain and pointless exercise, but one of many that are meant to bring us to fear and loathe AI. It is one of many fears that the powerful want us to adopt… This is a technology that can and will lift us all if we can stop fearing it. But if we can’t do that, it won’t simply go away… It will only be driven into the bowels of the rich and powerful, so that they alone will benefit from it.

All the shovel journalism out there has a very strong purpose… to scare us, so this great equalizer will not be open and free and accessible. Don’t let them do this.

[-] admin@lemmy.my-box.dev -4 points 1 year ago

So tired of this bs argument.

When I learn to paint

... you will never be able to generate millions of paintings per day, so why even pretend it's relevant here?

[-] AlexanderESmith@kbin.social 4 points 1 year ago

@admin

It was a hypothetical, I was just using myself as an example. Here's one that's not hypothetical:

I'm already a practiced in 3D modelling, UV unwrapping, texturing, lightning, rendering, compositing, etc. I could recreate a painting, pixel for pixel, in 3D space.

If I just hit render, is that my art now? It took a lot of research to learn how to do this, I should be able to make money on that effort, right?

I can do that millions of times and get the same result. I can set it on a loop and get as many as I want. It's the same as copying the first render's file, it just takes longer.

Now I decide to change the camera angle. Almost the entire image is technically different now, but the composition is the same. The colors, the subjects, relative placement in the scene, all the same, but it's not really the same image anymore. Is it mine yet?

I can set the camera to a random X,Y,Z position, and have it point at a random object in the scene (so it never points off into blank space). Are those images mine? It's never the same twice, but it still has the original artist's style of subjects and lighting. I can even randomize each subjects position, size, hue, direction, add a modifier that distorts them to be wobbly or cubic... I can start generating random objects and throwing them in too, let's call those "hallucinations", thats a fun word...

At what specific point in this madness does the imagery go from someone else's work to mine?

I absolutely can generate millions of unique images all day. Without using machine learning, based on work I recreated with my own human hands, and code I write uniquely from my experience and abilities. None of the work - artistically - is mine. I made no decisions on composition, style, meaning, mood, color theory, etc.

You may want to try to write these questions off, but I can tell you with certainty that other artists won't.

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this post was submitted on 05 Nov 2023
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