This is the best summary I could come up with:

Listing some of the many perils of womanhood in a still patriarchal society, the monologue that the actress America Ferrera delivers in “Barbie” with the intensity of a rallying cry, became one of the most talked-about movie moments of 2023.

Relaxed in a cozy beige sweater, Ferrera, 39, was recalling a prerelease press stop in Mexico City where 20,000 frenzied people welcomed the filmmaker Greta Gerwig and the cast of her pink-soaked comedy.

The performer, who broke through in “Real Women Have Curves” (2002) and went on to win an Emmy for her turn as the title character in “Ugly Betty” (2006-10), deeply admires how Gerwig dared to infuse a seemingly vacuous concept with plenty of meaning.

“It’s huge for something that is both so commercially successful and culturally dominant to also be about many things at the same time, which is not easy to execute in the biggest movie of the year,” Ferrera noted.

While I would love to think that things are different today than they were 22 years ago when “Real Women Have Curves” was made, the data shows that in large part, it hasn’t changed.

That makes me think of Lupe Ontiveros, who played your mother in “Real Women Have Curves,” and who made a career out of tiny roles she managed to turn into screen gold.

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