this post was submitted on 15 Oct 2025
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Traditional Art

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From dabblers to masters, obscure to popular and ancient to futuristic, this is an inclusive community dedicated to showcasing all types of art by all kinds of artists, as long as they're made in a traditional medium

'Traditional' here means 'Physical', as in artworks which are NON-DIGITAL in nature.

What's allowed: Acrylic, Pastel, Encaustic, Gouache, Oil and Watercolor Paintings; Ink Illustrations; Manga Panels; Pencil and Charcoal sketches; Collages; Etchings; Lithographs; Wood Prints; Pottery; Ceramics; Metal, Wire and paper sculptures; Tapestry; weaving; Qulting; Wood carvings, Armor Crafting and more.

What's not allowed: Digital art (anything made with Photoshop, Clip Studio Paint, Krita, Blender, GIMP or other art programs) or AI art (anything made with Stable Diffusion, Midjourney or other models)


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Completed toward the end of the Civil War, Inness’s large canvas was intended as a direct challenge to the grandiose, literal style of landscape painters such as Frederic Edwin Church and Albert Bierstadt, whose works appear in this gallery. Instead of international subject matter and heightened realism, this painting represents fertile farmland imbued with expressive feeling, communicated through enriched pigment and softened brushstrokes. Inness’s choice of title, his depiction of a bountiful harvest, and personal statements associated with this and other works made during the war suggest his confidence in Union victory and prosperity.

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