[-] GrenadeSalad@ttrpg.network 17 points 11 months ago

It's amazingly nerve-wracking and I love it. The dying process feels less mechanistic and far scarier, leads to players respecting the threat it poses.

[-] GrenadeSalad@ttrpg.network 18 points 1 year ago

Then he needs to seriously uptune combat for that party. If combat is rare, it should always be impactful.

[-] GrenadeSalad@ttrpg.network 1 points 1 year ago

I mean, if there are downed PCs, they're struggling already, IMO.

[-] GrenadeSalad@ttrpg.network 3 points 1 year ago

It makes a sorta-caster able to pretend to be an archer, more or less. It's great, but it's no more horrifying than a fighter with a bow of some kind.

[-] GrenadeSalad@ttrpg.network 2 points 1 year ago* (last edited 1 year ago)

You can still save the kingdom as a party full of evil bastards. Baron van Dyne can't usurp the crown with the aid of an army of elven barbarians, because the crown is not his to steal. It's mine.

Just like any party, you need a motivation that's compatible with cooperation and the narrative in some capacity. The only difference is that in stereotypical 'good' parties, players can just default to 'save the kingdom because it is Right' rather than having to think about it.

[-] GrenadeSalad@ttrpg.network 7 points 1 year ago

An adventure for levels 3-10 and 17.

This right there? This is why nobody plays high-level games.

[-] GrenadeSalad@ttrpg.network 1 points 1 year ago

My group uses this, but with a separate temporary exhaustion (we call it Trauma) that goes away on a short rest. Still handily serves the purpose of discouraging yoyoing without being too punitive.

GrenadeSalad

joined 2 years ago