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Villengard. So hot right now.
I, for one, think that everyone better at sports than me should be banned from competition.
I'm pretty ambivalent about her, but I agree it was an interesting performance, particularly for a woman at that time in television.
She was horribly underused - it's downright criminal that she doesn't pay a significant role in "The Measure of a Man."
Let's be honest: at this point, they could make the greatest Star Trek film of all time, and it would only be 1/47 as entertaining as watching the executives at Paramount Pictures stepping on infinite rakes in infinite combinations as they try to make the damn thing.
I'm a big believer in "stardates are nonsense, and should remain nonsense," but there were efforts made to standardize them in the '90s. They weren't particularly consistent efforts, though. The full history can be found here.
In early TNG, this was the explanation:
A stardate is a five-digit number followed by a decimal point and one more digit. Example: "41254.7." The first two digits of the stardate are always "41." The 4 stands for 24th century, the 1 indicates first season. The additional three leading digits will progress unevenly during the course of the season from 000 to 999. The digit following the decimal point is generally regarded as a day counter.
By TNG season 6, they were going with:
A Stardate is a five-digit number followed by a decimal point and one more digit. Example: "46254.7". The first two digits of the Stardate are "46." The 4 stands for the 24th Century, the 6 indicates sixth season. The following three digits will progress consecutively during the course of the season from 000 to 999. The digit following the decimal point counts tenths of a day. Stardate 45254.4, therefore, represents the noon hour on the 254th "day" of the fifth season. Because Stardates in the 24th Century are based on a complex mathematical formula, a precise correlation to Earth-based dating systems is not possible.
I think this is an extremely lousy headline, but the content is good.
Firstly, the headline slightly misquotes what Matalas actually said (emphasis added):
“We wrote nine episodes at one point and the network was like, ‘No, we don’t really understand this, it’s a bit too sci-fi, it’s a bit too in-Star Trek.’”
I think a story being a little too "inside baseball" and reliant on stuff from decades ago is a perfectly valid note, especially when we're talking about ideas like this:
The idea was that Guinan’s bar was presented as a normal bar in Los Angeles, but if you knew the right thing to do, you could go into the back through the telephone phone booth and that was Rick’s Café and it was a stopping point for all these different species that were actually there on Earth with a ‘Do not interfere’ thing happening.
The stuff about COVID messing with the writing and shooting schedule is understandable, and created problems that can be seen in many TV shows filmed around that time. All the same, it makes me wish they had decompressed the schedule and not rushed through things as much as they did.
The comments about there being a lot of different ideas in season two are interesting, since I think she overall series' biggest flaw is that it crammed a lot of ideas, many of which I like quite a bit, into only 30 episodes, with few (none?) of them being fully explored.
And regarding the Jurati Borg...I don't know, I never found that confusing in the slightest. I think their intent came through just fine.
Eddington was Canadian, though. We have no law to fit his crime.
I'm not sure the people who engage in this sort of tomfoolery are concerned with atomic clock-level precision.
User flair is unfortunately not a thing on Lemmy, but this is as good a time as any to confirm that we have independently verified that OP is Aaron J. Waltke, writer/producer of Star Trek: Prodigy.
The more I think about the Chapel plot, the more I think it was a blunder.
If she survived the initial attack on the Cayuga, it's likely that others did, too - at the very least, it should give Spock a reason to look before hot-dropping the saucer onto the planet.
My expectations for this one were high, but I'm really impressed with how well they pulled it off. Tawny Newsome and Jack Quaid did a great job of dialing their performances back just enough, and the SNW cast went just a little bit broader.
No question, though it seemed like the Bombers sort of lost the plot at halftime. Maybe they enjoyed the Jonas Brothers a little too much.