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submitted 1 month ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

Well the scariest month of them all is upon us, what horrors have you seen?

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submitted 1 month ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

In building IndieWire’s new list of the greatest horror movies ever made, we opted to omit some films that straddle the nebulous line between the horror and thriller genres (so you won’t find “The Silence of the Lambs” here, to get a particularly major example out of the way), at least for now. We paid attention to films that paved the way for the genre and for filmmaking as a whole, as well as to modern classics that bring something new and brilliant to the canon today. What every film on this list has in common is that their horrors are more than just boogeymen and spirits projected upon a silver screen, but a conduit into which deeper real-life fears are made manifest. From social discontent to primal fear of the unknown, horror is a genre that reflects on humanity’s most potent paranoia, and the eternal darkness that rests within us. Read on for our list of the 75 greatest horror movies ever made.

  1. “Possession” (dir. Andrzej Żuławski, 1981)
  2. “The Thing” (dir. John Carpenter, 1982)
  3. “Don’t Look Now” (dir. Nicolas Roeg, 1973)
  4. “The Cabinet of Dr. Caligari” (dir. Robert Wiene, 1920)
  5. “The Texas Chainsaw Massacre” (dir. Tobe Hopper, 1974)
  6. “House” (dir. Nobuhiko Obayashi, 1977)
  7. “Trouble Every Day” (dir. Claire Denis, 2001)
  8. “The Shining” (dir. Stanley Kubrick, 1980)
  9. “The Blair Witch Project” (dir. Daniel Myrick and Eduardo Sánchez, 1999)
  10. “Videodrome” (dir. David Cronenberg, 1983)
  11. “Alien” (dir. Ridley Scott, 1979)
  12. “Get Out” (dir. Jordan Peele, 2017)
  13. “Night of the Living Dead” (dir. George Romero, 1968)
  14. “Eyes Without a Face” (dir. Georges Franju, 1960)
  15. “Funny Games” (dir. Michael Haneke, 1997)
  16. “Deep Red” (dir. Dario Argento, 1975)
  17. “I Walked with a Zombie” (dir. Jacques Tourneur, 1943)
  18. “Halloween” (dir. John Carpenter, 1978)
  19. “Evil Dead II” (dir. Sam Raimi, 1987)
  20. “The Host” (dir. Bong Joon-Ho, 2006)
  21. “Tetsuo: The Iron Man” (dir. Shinya Tsukamoto, 1989)
  22. “Henry: Portrait of a Serial Killer” (dir. John McNaughton, 1986)
  23. “The Haunting” (dir. Robert Wise, 1963)
  24. “Vampyr” (dir. Carl Theodor Dreyer, 1932)
  25. “Raw” (dir. Julia Ducournau, 2016)
  26. “Bride of Frankenstein” (dir. James Whale, 1935)
  27. “Ganja & Hess” (dir. William Gunn, 1973)
  28. “The Wicker Man” (dir. Robin Hardy, 1973)
  29. “Near Dark” (dir. Kathryn Bigelow, 1987)
  30. “Audition” (dir. Takashi Miike, 1999)
  31. “Cat People” (dir. Jacques Turner, 1942)
  32. “Under the Skin” (dir. Jonathan Glazer, 2013)
  33. “Hellraiser” (dir. Clive Barker, 1987)
  34. “The Beyond” (dir. Lucio Fulci, 1981)
  35. “The Others” (dir. Alejandro Amenábar, 2001)
  36. “Nosferatu the Vampyre” (dir. Werner Herzog, 1979)
  37. “Freaks” (dir. Tod Browning, 1932)
  38. “Psycho” (dir. Alfred Hitchcock, 1960)
  39. “Hour of the Wolf” (dir. Ingmar Bergman, 1968)
  40. “Nosferatu” (dir. F.W. Murnau, 1922)
  41. “The Innocents” (dir. Jack Clayton, 1961)
  42. “Rosemary’s Baby” (dir. Roman Polanski, 1968)
  43. “Arrebato” (dir. Ivan Zulueta, 1979)
  44. “Cure” (dir. Kiyoshi Kurosawa, 1997)
  45. “Brain Dead” (dir. Peter Jackson, 1992)
  46. “Night of the Demon” (dir. Jacques Tourneur, 1957)
  47. “Let the Right One In” (dir. Tomas Alfredson, 2008)
  48. “The Fly” (dir. David Cronenberg, 1986)
  49. “Carrie” (dir. Brian De Palma, 1976)
  50. “Candyman” (dir. Bernard Rose, 1992)
  51. “The Exorcist” (dir. William Friedkin, 1973)
  52. “Kwaidan” (dir. Masaki Kobayashi, 1964)
  53. “Häxan” (dir. Benjamin Christensen, 1922)
  54. “The Seventh Victim” (dir. Mark Robson, 1943)
  55. “Carnival of Souls” (dir. Herk Harvey, 1962)
  56. “Santa Sangre” (dir. Alejandro Jodorowsky, 1989)
  57. “The Cremator” (dir. Juraj Herz, 1969)
  58. “The Devil’s Backbone” (dir. Guillermo Del Toro, 2001)
  59. “Onibaba” (dir. Kaneto Shindō, 1964)
  60. “An American Werewolf in London” (dir. John Landis, 1981)
  61. “A Girl Walks Home Alone At Night” (dir. Ana Lily Amirpour, 2014)
  62. “The Phantom Carriage” (dir. Victor Sjöström, 1921)
  63. “Invasion of the Body-Snatchers” (dir. Phillip Kaufman, 1978)
  64. “Shaun of the Dead” (dir. Edgar Wright, 2004)
  65. “The Babadook” (dir. Jennifer Kent, 2014)
  66. “Suspiria” (dir. Dario Argento, 1977)
  67. “Dawn of the Dead” (dir. George Romero, 1978)
  68. “Jaws” (dir. Steven Spielberg, 1975)
  69. “In the Mouth of Madness” (dir. John Carpenter, 1994)
  70. “Twin Peaks: Fire Walk With Me” (dir. David Lynch, 1992)
  71. “Bram Stoker’s Dracula” (dir. Francis Ford Coppola, 1992)
  72. “The Birds” (dir. Alfred Hitchcock, 1963)
  73. “A Tale of Two Sisters” (dir. Kim Jee-woon, 2003)
  74. “Scream” (dir. Wes Craven, 1996)
  75. “Hereditary” (dir. Ari Aster, 2018)
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submitted 3 days ago* (last edited 3 days ago) by jbone@lemmy.dbzer0.com to c/horrormovies@lemm.ee

This is an older movie, but it's relatively unknown.

I can recommend it if you like The Thing, The Last Winter, The Dyatlov Pass Incident.

Their budget was clearly rather modest (lower production values than the above mentioned films), but I thought they managed to make do with what they had.

Trailer

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submitted 3 days ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

cross-posted from: https://feddit.uk/post/19862461

Marshall wrote on Instagram, “Since so many fans keep asking, I figured I couldn’t keep the disappointing news to myself any longer. Your unwavering loyalty deserves better. For the past 6 years myself and original UK producer of Dog Soldiers, Christopher Figg, have been working tirelessly to negotiate for the rights to make a sequel with the US Producer/rights holder David E. Allen and his company Dash. 6 years!! That’s as long as it took to write and make the first movie. Unfortunately these negotiations came to a sudden and unexpected halt when, earlier this year, we were due to finalize and sign the agreements and….they disappeared. Vanished. Cut off all communication. Refuse to answer emails or calls. Why, you ask. I don’t know why. That’s the point. We simply don’t know what happened or why, but the end result is that we don’t have the rights to make a sequel without this deal in place, thus rendering it effectively dead. I’m sorry. We tried. We really did. And in Chris Figg’s case spent a lot of money on legal fees doing so. We wanted this for you. For all the countless fans who’ve asked for it. But in the end, perhaps it’s just not meant to be. The original film was lightning in a bottle, and perhaps lightning doesn’t, and in some cases shouldn’t, strike twice. So there it is…“

Nineteen hours later, he revealed that he hopes to make a separate project called The Werewolves of London. “Since I dropped such a clanger last night, I thought I’d give fans a little moonlight at the end of the tunnel today… While I do not have the rights to make a Dog Soldiers sequel, there’s nothing to stop me making another werewolf movie…. Which is exactly what I intend to do. It’s early days and I’m not giving away any plot details just yet, the plan is to bring as many of the original team back for this as possible, and then all we need is the money to make it!“

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submitted 1 week ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

Billy Burke, best known for his appearance in the “Twilight” series of movies, is set to play the lead in upcoming horror thriller “Outbreak.”

The zombie genre film, directed by Jeff Wolfe who co-wrote the screenplay with Lance Ochsner, has now been acquired by Premiere Entertainment Group (PEG), a Los Angeles-based production, financing, and sales company, which picked up international rights.

“Outbreak” follows a state park ranger (Burke) in search of his missing teenage son who is confronted with zombie-like people carrying an infectious disease following a virus outbreak. Alyshia Ochse, Taylor Handley, Raoul Max Trujillo, Jessica Frances Dukes, Dani Oliveros, and Kylr Coffman round out the key cast.

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submitted 1 week ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

cross-posted from: https://feddit.uk/post/19488160

Fans of Peter Cushing are in for a Halloween treat, with the iconic Frankenstein star the latest to be resurrected by AI.

In Hammer: Heroes, Legends and Monsters, a Sky doc airing in two days’ time, viewers will be treated to a “powerful and poignant reveal of Hammer royalty,” Sky said, with what is being described as a “special homage” to Cushing.

Cushing, who died in 1994, played Doctor Van Helsing in five Dracula films and Baron Frankenstein in six movies from that franchise. He will be the latest celebrity given the AI resurrection treatment.

...

Narrated by Charles Dance, the doc is celebrating Hammer Films‘ 90th birthday and will track its progression from a back office in London’s Regent Street to its iconic status within the horror film genre. We first revealed news of the doc in August.

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This isn’t the first time Cushing has been resurrected. His likeness was revived as Grand Moff Tarkin for 2016’s Rogue One: A Star Wars Story and a high court legal battle over the use of the image was recently ruled by a judge to go to trial.

Ben Field, who runs Deep Fusion, said the Hammer doc resurrection has secured all necessary permissions. The decision to resurrect Cushing is “tied to his significance to the Hammer legacy,” he added. “As a figure central to Hammer’s success, Cushing’s presence is crucial to telling the story authentically,” he added. “His work, particularly alongside Christopher Lee, was instrumental in shaping the brand and legacy of Hammer Films. Including him allows the project to honor the spirit and impact he had on the studio and its fans, creating a connection between the past and this new exploration.”

The use of deepfake technology has been approached with “great care,” Field added. “The team’s intent is not to manipulate or sensationalize but to use technology as a tool to bring audiences closer to the history of Hammer Films in an engaging and reverent manner.”

Hammer: Heroes, Legends and Monsters will follow other influential figures from the horror genre such as Lee. Tim Burton, John Carpenter, Joe Dante and John Logan will also feature. Through a series of fateful turns, the film will reveal how Hammer’s distinct visual style and storytelling continue to shape modern horror and inspire filmmakers around the world.

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submitted 1 week ago* (last edited 1 week ago) by Emperor@feddit.uk to c/horrormovies@lemm.ee

Milla Jovovich (Resident Evil) and Betty Gabriel (Get Out) have been set to star in Twilight of the Dead, the next feature from The Call and The Machinist director Brad Anderson.

The George A. Romero estate is teaming up with L.A.-based financier-producer Roundtable on the “seventh and final installment” of the seminal Living Dead franchise. Horror icon Romero had written a treatment for the movie before he died in 2017 and he regarded Twilight of the Dead as the conclusion to his epic saga, which comprised six movies and various spinoffs and remakes.

Fortitude International will present the project at next week’s American Film Market, with production being lined up for March.

Set on a tropical island, we’re told Twilight of the Dead will “delve into the dark nature of humanity from the perspective of the last humans on Earth who are caught between factions of the undead.”

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Respected veteran makeup effects designer Greg Nicotero and his KNB EFX Group will create and lead the makeup effects. Nicotero began his career with Romero’s 1985 sequel Day of the Dead and was a frequent collaborator with the filmmaker. He also is known for working on the Walking Dead series.

...

Director Anderson explained: “I see this film in the same way as successful post-apocalyptic thrillers such as I Am Legend, A Quiet Place, The Road and The Last of Us — genre stories that are as emotional as they are intense. When I first read Twilight of The Dead, I teared up at the end. Which is weird for a film of this type. But it has that kind of pull, that combo of horror and heartbreak that I love.”

...

The team behind the project previously told us they haven’t closed the door on the possibility of additional movies in a new franchise, should this one go well.

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submitted 2 weeks ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

Finally, at long last, there’s a way to smell like Dracula.

That’s thanks to a new perfume inspired by the upcoming Robert Eggers film “Nosferatu,” a remake of the gothic tale about a terrifying vampire who stalks a haunted young woman. Heretic Parfum founder Douglas Little concocted the custom scent, also called Nosferatu, through a scientific process that involved viewing the film, historical research and “time period understanding,” according to a press release.

The result is one that answers the age-old question that’s long haunted historians: What does a vampire smell like?

Described as “cold, pale and pellucid” and evoking “the uneasy chill of encountering an apparition,” the fragrance aims to conjure the aroma of the dark, possibly smelly, spaces inhabited by Count Orlok himself. Dubbed “Eau de macabre,” the perfume captures the odor of the eternal being with “top notes of lilac and ambrette seed that fall into a heart chord of violet, orris root and petrichor. The mysterious dry-down is woven around vegan ambergris and Oud absolute.” Obviously, garlic was a big no-no on the ingredients list.

Nosferatu, the perfume, is engraved with Count Orlok’s sigil and cost $125 for a 30ml bottle.

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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

I had been a huge fan of the Hell House LLC series since I stumbled across the first instalment on Shudder during a lazy weekend a few years ago. I often question whether I should cancel my subscription to the streaming platform that’s dedicated to horror and save a few pounds each month, but then there’s always one film that draws me back in.

The first Hell House LLC, released in 2015, was that rare gem and my only regret is that I didn’t discover it sooner.

It had everything I love watching in horror: A group of friends who make silly yet entertaining decisions; a seriously creepy venue like a haunted house; or, in this case, an abandoned hotel and clowns.

I actually have a genuine fear of clowns so the fact that I love films like Hell House and Terrifier will always be a mystery to me.

When I realised Hell House LLC was also found footage, I could not grab my snacks and press play fast enough. And just like that, I was gripped...

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submitted 2 weeks ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

Kyle Edward Ball, the writer and director behind 2023’s micro-budget horror hit “Skinamarink,” has teamed up with A24 for his next film, “The Land of Nod.”

Plot details are being kept under wraps, but Ball will write and direct the project, which will be released globally by A24.

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Speaking to Variety in 2022, Ball teased two ideas for future projects: One is a take on the Pied Piper legend, the other about three strangers who all see the same house in a dream. It’s unclear whether either of those ideas evolved into “The Land of Nod.”

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“The Land of Nod” joins A24’s slate of upcoming horror movies, including the Hugh Grant-starring “Heretic” and the comedy-horror “Y2K,” directed by Kyle Mooney. Variety also broke news of the studio’s upcoming horror film “Altar,” starring January Jones, Kyle MacLachlan, David Krumholtz, Lily Collias and Hudson Behling.

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submitted 2 weeks ago* (last edited 2 weeks ago) by gytrash@feddit.uk to c/horrormovies@lemm.ee

Some of the best folk horror movies of all time base their scares on the slow-burn creepiness of the rural setting. Others are terrifying movies about cults. David Bruckner's 2017 horror film "The Ritual" dabbles in both, and adds in a haunted house aspect with a strange settlement in the middle of a Swedish forest. Then, it becomes something else altogether.

As a group of hikers finds out to their detriment, all the folk horror elements in the movie come courtesy of a single entity: A supernatural beast known as Moder, which is both terrifying to behold and so utterly powerful that it might be able to go toe to toe with just about any other horror movie monster out there. Let's find out more about Moder, the animalistic horror movie god lurking at the center of "The Ritual"...

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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

How do you like your horror? Elevated arthouse or sleazy splatter? Comfortably cliched or disturbingly groundbreaking? Disgustingly gruesome or so subtle you can’t work out why you’re uneasy? Do you limit your consumption of horror films to Halloween but steer clear the rest of the year? Or are you a horror fiend who just can’t get enough of it, whatever the season?

The good news is that the horror genre has been going strong for more than a century, so you’ll never run out of films to scare you. From early silents Le Manoir du diable (1896) and The Cabinet of Dr Caligari (1920) to this year’s genuinely gruesome slasher hit Terrifier 3 – which recently knocked Joker: Folie à Deux off the top of the US box office – there has never been any shortage of audiences lining up to be chilled, unsettled or downright freaked out. Just look at this year’s robust box office on Abigail, Immaculate and Longlegs, as well as artier offerings such as The Substance. The future of cinema, it seems, is horror. And not just in terms of profit, but in visual imagination, envelope-pushing and audience enjoyment.

Every genre fan knows Dracula and Frankenstein, King Kong, The Exorcist, Carrie, An American Werewolf in London, The Silence of the Lambs and so on. But behind every gamechanger, there are antecedents and influences, both direct and indirect. And however beloved the canon, there are always less familiar treasures to be unearthed. So here I have traced the evolution of the horror genre in 10 films. For the most part I have avoided the big beasts and instead highlighted some less familiar, but no less significant efforts in the long history of the genre.

If the most recent title in this selection is from 2001, it doesn’t mean 21st-century horror is in decline. On the contrary, the genre is thriving, with film-makers such as Jordan Peele exploring new avenues, more female directors adding their voices to the mix, and subgenres overlapping in surprising new ways. It takes time for trends to coalesce; it wasn’t until 30 years after its release that The Wicker Man (1973), and films with related themes, were given the label “folk horror”. But of one thing you can be sure: the genre is a constantly evolving beast, and horror films will continue to shock, delight and terrify us for many years to come...

  • Monsters: Nosferatu: A Symphony of Horror (1922)
  • Mad science: Dr Jekyll and Mr Hyde (1931)
  • Satanism: The Seventh Victim (1943)
  • Dreams and hallucinations: Dead of Night (1945)
  • Aliens: Invasion of the Body Snatchers (1956)
  • Slashers: Peeping Tom (1960)
  • Sadeian cinema: Two Thousand Maniacs! (1964)
  • Zombies and gore: Dawn of the Dead (1978)
  • Body horror: Videodrome (1983)
  • Techno horror and ghosts: Kairo, AKA Pulse (2001)
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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

Nick Frost both writes and stars in the folk horror comedy Get Away – a movie originally going by the name Svalta. The synopsis reads as follows:

"Looking forward to a vacation on the small Swedish island of Svälta, the Smith family is unsettled by the unfriendly mainlanders who advise them to avoid the island at all costs, especially during the Karantan festival. But the 4-member family is in deep need of some time away & stubbornly decides to take the ferry anyway. On the island, the locals are rather rude & unwelcoming, and their behavior suggests that some big event is about to happen. Is it a cult? Is there a sacrifice in the works? Seemingly unbothered by so much discourtesy and drama, the family enjoys a swim in the sea, treks in the woods, and, oh, the silent isolation… which turns out to be a pretty perfect situation for the Smiths, who have special plans of their own."

Get Away will be available to watch on Sky Cinema from the 10th January.

Watch the trailer...

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submitted 2 weeks ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

The trailer for Mike Wiluan’s historical monster film, Orang Ikan, has been unveiled, ahead of its world premiere in the Tokyo International Film Festival’s Gala section.

Set in 1942 in the Pacific, the film follows a Japanese soldier named Saito and a British prisoner-of-war named Bronson, who are stranded on a deserted island, hunted by a deadly creature known as the “Orang Ikan.”

Orang Ikan is directed and written by Mike Wiluan, who also helmed Buffalo Boys, Losmen Melati and co-produced Crazy Rich Asians.

The film stars actor-musician Dean Fujioka (Fullmetal Alchemist) and Callum Woodhouse (All Creatures Great and Small).

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The film will have its European premiere at the Trieste Science + Fiction Festival in the Asteroid Competition and its Southeast Asian premiere at the Singapore International Film Festival.

“Orang Ikan is a creature horror that draws its inspiration from the early monster films such as Jack Arnold’s 1954 Creature from the Black Lagoon combined with a popular Malay Folklore and actual reports of sightings by Japanese occupying forces in East Indonesia during the war,” said writer-director Wiluan.

“Orang Ikan is an Asian interpretation of the creature theme set during the tragic real life occurrences of WW2. Aside from the horror, the film accentuates the theme of brotherhood and humanity against devastating reality of survival. This particular theme was inspired by John Boorman’s 1968 classic Hell in the Pacific.”

Trailer

IMDb

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I love horror movies, and I don't want to filter or block this community, but 80% of the articles here are pure clickbait "top 10 horror movies you need to see" crap that you can find anywhere on the Internet.

It makes it hard to want to engage with the community when this is all it is right now.

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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

... You may have already seen some of those movies. But if you’re looking for more cinematic scares, here are 10 killer films that may have sneaked past your radar but are worth a scream, ahem, stream, in time for Halloween.

  • In a Violent Nature
  • MadS
  • It’s What’s Inside
  • Red Rooms
  • Out Come the Wolves
  • Caddo Lake
  • Daddy’s Head
  • What You Wish For
  • Infested
  • Oddity
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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

It’s scary movie season, a time when many people watch films about zombies, serial killers, werewolves, magic and mysterious monsters who are impossible to kill.

However, as far as I know, there’s only one film that features all of those elements – and you’ve probably never seen it.

Made in 2007, “Trick ‛r Treat” consists of four interconnected horror stories, each about 15 to 20 minutes long, that all take place on a single Halloween night.

While characters from one story sometimes appear in other segments, the unifying force in the film is Sam, a mysterious creature wearing a burlap mask. He takes umbrage whenever a character disrespects a Halloween tradition, whether it’s by scaring away trick-or-treaters or blowing out a jack-o’-lantern before Halloween is over. Each meets a gruesome end.

Horror buffs eventually discovered the film. Today, it’s hailed as a modern classic...

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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

Horror is the movie genre most positioned to take advantage of the fears and desires in the deepest parts of the human psyche. It’s also the genre that has pushed the boundaries of what can and should be seen on the screen, particularly in recent years. Horror films, particularly those released in the 1980s and afterward, have worked very hard to plumb the hearts and minds of viewers, bringing out those things that many people are afraid to face in their everyday lives and laying it all out on the screen. These films stay in the mind long after the final scene, demonstrating horror’s enduring power...

  • 'Bone Tomahawk'
  • 'The Wicker Man'
  • 'Speak No Evil'
  • 'The Witch'
  • 'The Fly'
  • 'Tusk'
  • 'Jeepers Creepers'
  • 'In a Violent Nature'
  • 'Saint Maud'
  • 'Funny Games'
  • 'A Serbian Film'
  • 'Martyrs'
  • 'Cannibal Holocaust'
  • 'The Human Centipede'
  • 'Hostel'
  • 'The First Omen'
  • 'Get Out'
  • 'Annihilation'
  • 'Hereditary'
  • 'Midsommar'
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submitted 2 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

Horror movies often thrill audiences with their high-stakes tension, but a unique sense of discomfort comes from a movie where no one makes it out alive. Instead of a great "Final Girl" braving her way through a scary situation, nihilistic endings strip away any hope of survival, leaving viewers with a chilling sense of dread. Horror movies where absolutely everyone dies highlight the genre's darkest, most unforgiving conclusions.

Whether it's through ritualistic sacrifices, supernatural forces, deadly creatures, apocalyptic circumstances, or deadly viral outbreaks, a horror film may present a relentless march toward doom with a story that refuses to let anyone escape death. They don't just frighten with jump scares and gore but also emphasize the inevitability of death by creating movie endings so bleak that they linger even longer. Some horror movies don't let anyone escape, instead reminding audiences that sometimes the greatest terror is the absence of hope...

  • The Thing (1982)
  • Quarantine (2008)
  • Unfriended (2014)
  • The Blair Witch Project (1999)
  • Dead Silence (2007)
  • Cabin Fever (2002)
  • House Of 1000 Corpses (2003)
  • Final Destination 5 (2011)
  • Night Of The Living Dead (1968)
  • The Cabin In The Woods (2011)
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submitted 2 weeks ago by Emperor@feddit.uk to c/horrormovies@lemm.ee

cross-posted from: https://feddit.uk/post/19132374

Filming has already wrapped on Danny Boyle’s 28 Years Later, the long-awaited sequel to 28 Days Later and 28 Weeks Later that intends to launch a brand new trilogy. In fact, Ralph Fiennes spills the beans in a chat with IndieWire that the first TWO movies have been shot!

Fiennes also served up some plot details for 28 Years Later that were previously under wraps.

He tells the outlet, “Britain is 28 years into this terrible plague of infected people who are violent, rabid humans with a few pockets of uninfected communities. And it centers on a young boy who wants to find a doctor to help his dying mother. He leads his mother through this beautiful northern English terrain. But of course, around them hiding in forests and hills and woods are the infected. But he finds a doctor who is a man we might think is going to be weird and odd, but actually is a force for good.”

That doctor, you might have guessed, is played by Ralph Fiennes.

...

28 Years Later arrives in theaters on June 20, 2025 from Sony

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submitted 3 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

... Before remains more of a mood piece than a full-on ghost or gory horror story. It is at least as interested in the manifestations of guilt in real life as it is using them as fuel for the supernatural narrative, and maintains the grief-stricken atmosphere as well as it does the spine-tingling stuff.

And Crystal is brilliant. His commitment to the part and this new mode is total. He never takes refuge in his comedy persona, and he utterly convinces as a man struggling with experiences he never imagined he would have to go through. His pain is both acute and chronic as he learns more about his wife, how he failed her, and how she turned to others to help her process what he could not. What kind of man, what kind of husband, what kind of therapist would allow that are questions that haunt him as deeply as Noah’s visions do him. Speaking of whom – as someone old enough to remember when the sight of a child actor made the spirit quail because children couldn’t act, I remain beyond grateful that those days are behind us and that Jupe only adds to the lustre of the new age. I don’t know what mighty forces are responsible for the change, but thank you, thank you.

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submitted 3 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

Halloween is just around the corner so it's safe to say that we're firmly into spooky season. For some of us, it means binging some classic horror movies before the Christmas vibes kick in.

For others, it's an appropriate time to lean into the scary vibes and delve deeper into the lore behind these horror flicks. That can mean visiting haunted locations that inspired some of our favorite movies, like The Conjuring and The Amityville Horror.

Below is a list of 15 horror movies accompanied by the real-life haunted locations that inspired them. Although some of them remain private residences, there are others that you could actually visit!

  • The Amityville Horror - The Amityville House (Long Island, New York)
  • Lizzie - The Lizzie Borden House (Fall River, Massachusetts)
  • American Horror Story: Coven - The LaLaurie Mansion (New Orleans, Lousiana)
  • The Shining - The Stanley Hotel (Estes Park, Colorado)
  • The Conjuring 2 and The Enfield Poltergeist - The Enfield Poltergeist House (London, UK)
  • The Axe Murders Of Villisca - The Villisca Axe Murder House (Villisca, IA)
  • Haunting Of Queen Mary - The RMS Queen Mary (Long Beach, CA)
  • The Conjuring - The Conjuring House (Burrillville, RI)
  • 1408 - Hotel del Coronado (Coronado, CA)
  • American Horror Story: Hotel - Cecil Hotel (Los Angeles, CA)
  • Bram Stoker's Dracula - Bran Castle (Transylvania, Romania)
  • An American Haunting - The Bell Witch Cave (Adams, TN)
  • Winchester - Winchester Mystery House (San Jose, CA)
  • The Changeling - Henry Treat Rogers Mansion (Denver, CO)
  • The Innkeepers - Yankee Pedlar Inn (Torrington, Connecticut)
25
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submitted 3 weeks ago by gytrash@feddit.uk to c/horrormovies@lemm.ee

‘FILMFEAR’ COLLECTION – STREAMING ON CHANNEL 4 UNTIL 2ND NOVEMBER

  • ENYS MEN
  • SMILE
  • IN THE EARTH
  • THE LODGE
  • AMULET
  • FIRESTARTER
  • BULL
  • X
  • ALONE
  • WEREWOLVES WITHIN
  • A BANQUET
  • THE THING (2011)
  • THE INNOCENTS
  • FRESH

‘COMPLETELY BEN WHEATLEY’ COLLECTION – STREAMING ON CHANNEL 4 UNTIL 15TH NOVEMBER

  • DOWN TERRACE
  • KILL LIST
  • SIGHTSEERS
  • A FIELD IN ENGLAND
  • HIGH-RISE
  • FREE FIRE
  • THE DUKE OF BURGUNDY
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