Doctor Who Social Club
A community for discussing all things Doctor Who.
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to longtime fans feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
All posts/comments must be factually accurate and verifiable. We are not a place for gossip, rumors, or manipulative or misleading content.
4 Be nice
If a polite way cannot be found to phrase what it is you want to say, don't say anything at all. Insulting or disparaging remarks about any human being are expressly not allowed.
5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episode. Spoiler protection will not be granted to information that is out in the mainstream media.
6 Keep on-topic
All submissions must be directly about the DW franchise (the shows, movies, books, etc.). Off-topic discussions are welcome at c/Quarks.
7 Meta
Questions and concerns about moderator actions should be brought forward via DM.
Upcoming Episodes
Date | Episode | Title |
---|---|---|
05-10 | DW 2x05 | "The Story & the Engine" |
05-17 | DW 2x06 | "The Interstellar Song Contest" |
05-24 | DW 2x07 | "Wish World" |
05-31 | DW 2x08 | "The Reality War" |
TBA | TWB 1x01 | TBA |
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Welcome to the party, Steven Moffat.
The improved quality of this episode is immediately apparent. The script is tight and quippy, and the titular child is creepy as hell.
It's tough to comment solely on a Part 1, but there's a lot to like in this. The gag of the Doctor asking the crowd at the cabaret whether they've seen anything falling from the sky before realizing he's landed in the middle of the London Blitz is great. The production quality is generally excellent - it really feels like a specific time and place.
Following on that, Nancy is an immediately compelling character - sympathetic, and very authentic-feeling to the setting. Richard Wilson is also very good as Dr. Constantine.
I can't believe I'm saying this, but I think the weakest part of the episode by far is the subplot with Rose and Captain Jack Harkness, who we meet for the first time here. It feels incongruous with the horror vibes of the A-plot, and I don't actually think John Barrowman (scandal noted) is as charming as the script needs him to be.
The blitz setting was very well done. Sci-fi spaceships aside, this story feels like the kind of ghost story people might have told each other during that era.