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submitted 1 year ago by jeffw@lemmy.world to c/news@lemmy.world

What the fuck are the studios gonna do, make movies and shows without actors?

Highlights: The negotiating committee of the actors’ union, SAG-AFTRA, told its members on Saturday that it had received a “Last, Best and Final Offer” from the major entertainment studios as a strike that has brought much of Hollywood to a standstill continued for a 114th day.

“We are reviewing it and considering our response within the context of the critical issues addressed in our proposals,” the negotiating committee said. They did not say when they would respond to the offer, which came after an hourlong video conference call that included top studio executives.

Included in the offer was a wage increase that could be the highest in four decades, according to a person familiar with the offer who spoke on condition of anonymity because of the sensitivity of the negotiations. The studios also offered the actors a new way to determine residuals for streaming programs based on performance metrics, and protections on artificial intelligence, including consent and compensation requirements. The studios also offered an increase to the pension and health funds.

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[-] funkless_eck@sh.itjust.works 9 points 1 year ago* (last edited 1 year ago)

1 nights work on set (i think i got there at 6pm and ended up being wrapped about 8am), but you only work once every couple of months AND you're not counting auditions, wardrobe/fitting call, driving, So it was actually $800 for about 30 hours work (again before tax). Are you telling me that working for $25/hour gross for an overnight shift once, a few times a year is a big privilege?

Both me and my wife are actors. I do more stage, she does more commercials. We both have day jobs - mine is corporate and I either kill myself working 100 hour weeks or use my PTO when I get cast, hers is education and so just has to turn down gigs if they clash with her work.

Not to mention

  • new headshots every year
  • at least one training program every year
  • actors access, backstage
  • above platforms also have separate fees for reels - of which there are dramatic, commercial, voice and specialist reels (eg skinsuit, circus skills, music, vocals, accents, cartoons...)
  • regular calls with agents and managers
  • networking
  • participating in the community (going to the theatre, short film fests, comedy nights, open mics, monologue slams).

I also sit on the board of three theatre companies (unpaid) and judge a few festivals (paid in free tickets to the shows I'm judging and sometimes a dinner).

If you're making less than $25/hour and working less than a few times a year, so that you can call me privileged I'd be incredibly surprised.

this post was submitted on 06 Nov 2023
374 points (98.4% liked)

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