Off topic: really enjoying Mike Duncan's Revolutions podcast at the moment. Listened to the French Revolution and am now in the midst of the July Revolution.
TechTakes
Big brain tech dude got yet another clueless take over at HackerNews etc? Here's the place to vent. Orange site, VC foolishness, all welcome.
This is not debate club. Unless it’s amusing debate.
For actually-good tech, you want our NotAwfulTech community
Twitter rumour mill is churning about that guy arrested in connection with the IVF bombing - possible zizian or so it goes.
another good piece from 404, teachers being real unhappy with the tsunami of bullshit autoplag has loaded them with
Time for my infrequent missive about the intersection of sneerspace and comedy podcasts. The current episode of one of my favourite comedy podcasts, Doughboys, jumpscared me today when one of the hosts, Mitch, came back from a toilet break and independently came up with the fundamentals of Roko's Basilisk (the torture in cyberspace part). Anyway here it is, or if you want, you can start with the context of the toilet break. What's important to note is that these guys do not try to present themselves as intelligent, and usually present themselves as stupid.
Followup to this bit of news: 'Natasha Lyonne addresses backlash to her AI "hybrid" movie'
Link to interview: (variety) (archive)
relevant section from interview:
As the second season of “Poker Face” trickles out, Lyonne is shifting her focus to another project: her feature directorial debut, which she wrote with Brit Marling. Titled “Uncanny Valley,” the movie follows a teenage girl whose grip on the real world unravels when she is consumed by a popular augmented reality video game. The project will blend traditional filmmaking with AI, courtesy of what she describes as an “ethical” model trained only on copyright-cleared data.
“It’s all about protecting artists and confronting this oncoming wave,” says Lyonne, emphasizing that it is not a “generative AI movie” but uses tools for things like set extensions.
When the film was announced in April, many on the internet did not see it that way.
“It’s comedic that people misunderstand headlines so readily because of our bizarro culture of not having reading comprehension,” says Lyonne. “Suddenly I became some weird Darth Vader character or something. That’s crazy talk, but God bless!”
“I’ve never been inside of one of those before,” Lyonne says of the vortex of backlash. “It’s scary in there, if anyone’s wondering. It’s not fun when people say not nice things to you. It grows you up a bit.”
She looks at Johnson, who, in 2017, felt the wrath of “Star Wars” fanboys when he subverted expectations on the critically acclaimed, yet divisive “Last Jedi.” His advice: shut off the noise and just make things. In a social media era where film and TV projects are judged before they’re even made, “any great art, during the process of making it, is going to seem like a terrible idea that will never work,” he says. “Anything great is created in a bubble. If it weren’t, it would never make it past the gestation period.”
new yorker profile on moldbug (archive)
(still reading)
It brings moi le grand ennui to peruse the excessively florid and terminally gallicistic language of this higly self-esteemed publication elevating the persōna of urbane wordliness M. /jaʁvɛ̃/ is purposefully cultivating. The fustian pomp the reader is treated to gives off an air of arrogance-born naïveté—much as if the erudite hack composing the presented profile of our very good friend were oblivious to the genteel PR she's lending the man of the hour.
For real though, it's yet another example of liberal old media platforming a repugnant fascist bozo by playing along with their intellectual academic act, fully falling for the "evil Albert Camus" charade. These profile pieces mistake a subtle undertone of contempt for actually effective interrogation or criticism of the subject's philosophy. Moldbug's ideas barely have the philosophical depth of a villain from a young adult novel. The criticism of the slimy fascist's neofeudal fantasies and his supporters' implementation of them amounts to no more than a literary raising of eyebrows. In the name of respectable bipartisan stiff-upper-lip propriety it's beyond the pale to call Curtis Yarvin's ideology the puerile parody of high school libertarianism it is. A veneer of eloquence for chuds to point at and say "behold, not all nazis are stupid: this guy knows words!"
Curtis Yarvin is just an internet age Julius Evola for the type of people who are somehow also impressed by Julius Evola.
Curtis Yarvin is just an internet age Julius Evola for the type of people who are somehow also impressed by Julius Evola.
Quality sneer!
this is the one who pinged me to see if i could tell her about using Urbit a while back