this post was submitted on 24 May 2024
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Lucas reflected on his life in work in a wide-ranging chat in Cannes, where he received and honorary Palm d'Or.

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[–] HeartyBeast@kbin.social 2 points 1 year ago

Absolutely - more about Midichlorians, I say!

[–] reddig33@lemmy.world 1 points 1 year ago (1 children)

Ideas like “midichlorians”? Good riddance then.

[–] loobkoob@kbin.social 2 points 1 year ago (1 children)

I don't hate the idea of midichlorians, honestly. Or rather, I do hate them but I think that's the point - to show that the jedi have kind of lost their way, are judging everything by "midichlorian counts" and tried to standardise and automate the process as much as possible rather than properly considering the human element and doing things on a case-by-case basis. If it's not the point then, well... it should be.

I think there are some decent ideas in the prequel trilogy, I just think the execution was pretty bad.

[–] Mechanismatic@lemmy.ml 1 points 1 year ago

Agreed. The same way I disliked how whiny Anakin was but it made sense in context that Vader was this emotionally stunted kid with a traumatic childhood he couldn't get over.

[–] Hobbes_Dent@lemmy.world 1 points 1 year ago

Yes, meesa thinks.

[–] snack_pack_rodriguez@lemmy.ca 1 points 1 year ago

They got Lost the moment he fucked with them in 97

[–] autotldr 1 points 1 year ago

This is the best summary I could come up with:


‘I’m a stubborn guy and I didn’t want people to tell me how to make my movies,” is how Star Wars creator George Lucas summed up the secret to his success, speaking to a crowd of fans at a packed Debussy theater in Cannes Friday afternoon.

The 80-year-old filmmaker was being honored at the 77th Cannes festival with a Palme d’Or for his contribution to cinema, and the crowd, a much younger cohort than usually seen at these events, whooped and hollered as Lucas walked on the stage.

His THX-1138 co-writer and sound designer Walter Murch was in the audience as Lucas recalled how Warner Bros didn’t want to send the duo to France for the premiere, forcing them to scrape together the money themselves.

The film also caught the eye of Allan Ladd Jr., then head of production at Fox, who approached Lucas after a screening and said, the director recalled: “You got any other movies?

“The studios didn’t have licensing departments…it took longer to design a toy than it did to make a movie,” he recalled, and how he got control of the sequel rights, in part because Fox at the time was teetering on bankruptcy.

The negative response to his Star Wars prequels, Lucas argued, came from “critics and fans who had been 10 years old when they saw the first one” and didn’t want to watch a children’s film.


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