$150 for Data, you don’t want to know how much it cost to get Lore.
Well, I guess we need to shut the forum down seeing as there isn’t going to be a better meme at any point.
"The Title Writer's Pen Cares Not for the Trekkie's High Expectations"
It is wild how much shit Geordie gets for the Leah Brahms hologram.
It is also wild that no one ever interrogates the fact that the computer essentially made a hologram so it could hit on Geordi, either.
Mushrooms have significantly less mysticism associated with them
Ah yes, psychedelics are famously not associated with mysticism.
The closest comparison to the mycelial network is Yggdrasil, which is solidly in the high fantasy category rather than sci-fi.
The closest comparison is actual fungal networks that exist beneath forests supporting life through the transference of nutrients and biochemical communication, are some of the largest organisms on the planet, and are actual nonfiction science.
All that is to say, I think the mycelial network needed more time to set up than the show gave it.
I think I can agree with you to some extent there. Stamets, by virtue of being standoffish and prickly when the character is introduced, is not the best at explaining things, and the concept could have used a better explanation early on to mitigate the response I'm complaining about with this post.
EDIT: Apparently everyone on this website is insane
Have you considered the possibility that ya basic?
They probably wouldn’t want to wear the Cayuga jackets; those are collectors items, now!
Exactly. Would the Klingons have even noticed if they were breaking out into opera or drinking songs?
Because Star Trek is very serious business. Every episode is a deep philosophical treatise on the nature of humanity and our place in the galaxy. You know, like “A Piece of the Action”, or “Take Me Out to the Holosuite”, or “Bride of Chaotica”.
How is a musical episode supposed to measure up to that lineage?
I very much enjoyed that in season one, each Klingon house had their own uniform, and customs. In the TNG era there is a uniformity to the Klingons, which flattens them to monoculture. Even the simple touches of having House Mo’Kai engage in facial scarification, or House Kor wear war paint implies an expansion to their culture that makes me far more interested in them.
Also, I’ve always enjoyed the scheming Klingons, like the ones we see in TOS, or the Duras Sisters, so Kol really appealed to me as an antagonist.
The new prosthetic seemed like a natural progression of what we saw from TOS, to TMP, to “The Search for Spock” and TNG. I do think the decision to make them all bald in season one was a miss, but it’s otherwise a good design that effectively communicates the ferocity the species is supposed to have.
I wonder if they wanted them to all be bald if it wouldn’t have made more sense to have T’Kuvma’s followers be bald, and the others that arrive after he lights the beacon engage in tonsure once T’Kuvma becomes a martyr.
Oh, and the elongated craniums on the women was also an odd choice that I’m glad was walked back for season two.
And IIRC it was introduced as being a relatively modern innovation in UX. So that’s a continuity break.
Only implicitly. In "Encounter at Farpoint" the obvious implication is that the computer being able to pinpoint a crew person is new functionality; the ensign says, *"You must be new to these Galaxy-class starships, sir," and then gets the computer to tell her the exact location of Data, at which point it begins showing the route. However, it's never explicitly said that the computer's ability to direct someone to a location is new to the Galaxy-class, so it's definitely not a canon break, and is at worst a bit of a mild bending.
Really, do you want the Enterprise to have less functionality than the smart lights in someone's home?
When Gates McFadden was 13?