cross-posted from: https://kbin.social/m/13thFloor/t/371761

A list of over 200 gaming systems available in various free formats, classified as follows:

• Open Source
• Free
• Retroclones
• Quickstarts
• System Reference Documents
• Card Games

cross-posted from: https://kbin.social/m/13thFloor/t/513056

The Brooklyn SciFi Film Festival returns for 2023 with 135 films selected for screening October 9 through the 15th. SciFi fans from around the world are welcomed to join this one-of-a-kind event as all films will be made available online for streaming and rating through Brooklyn SciFi's Netflix style festival platform. This year we are proud to select the best films from independent filmmakers representing 26 countries, including first-time filmmakers and industry veterans alike. Classic SciFi themes of time travel, malevolent and friendly robots, clones, space travel, and aliens are well represented along with a renewed focus on A.I. appropriately including some of the festivals first A.I. generated content. U.F.O. fans are sure to enjoy several documentaries delving into extraterrestrial visitors including Accidental Truth - UFO Revelations narrated by actor Matthew Modine (Full Metal Jacket, Stranger Things).

"When the headlines are filled with stories of A.I., dystopian climate change, and UFOs, it's hard to deny we're living in a SciFi future. Let us be your guide."
— Michael Brown, Executive Director - Brooklyn SciFi Film Festival     

Categories include Live Action Short Films, Animation, Comedy SciFi, SciFi Documentary, Feature Films, Student Films and Young Filmmakers. The complete listing of selected films is available online at the BrooklynSciFiFilmFest.com website. The Brooklyn SciFi Film Festival is kicking off its fourth season this year on October 9th and will stream online through October 15th. There will be special events each night as well as watch parties, voting, panels, and the return of the 4th season of our curated film series The Sixth Borough featuring three outrages dystopian SciFi tales each episode. Think of it as the Black Mirror or Twilight Zone of independent SciFi.
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Online and In-Person Events

Events include a Best of Brooklyn screening of 12 Brooklyn-based SciFi short films at Stuart Cinema Cafe in Greenpoint, Brooklyn on October 11th. Animation Exploration night with a panel of 10 animators followed by an evening of films available online on October 12th, a 10th Anniversary online screening of the feature film Computer Chess by director Andrew Bujalski October 13th, and the Alamo Drafthouse Cinema in-theater event and after party in Brooklyn on On Saturday October 14th, where we will feature a program of select short films and announce awards in each category. Tickets are available on Eventbrite or from the Brooklyn SciFi website at brooklynscififilmfest.com.

Filmmakers will be recognized in the following categories:

Best Feature Film - Awarded to the best feature length entry selected by our committee.

Best Live Action Short Film - Awarded to the best live action (non-animated) short film (30 minutes or less) selected by our committee.

Best Animated Short Film - Awarded to the best animated (non-live action) short film (30 minutes or less) selected by our committee.

Best Comedy SciFi Short Film – Awarded to the best SciFi comedy short film across all ages and groups.
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Best Student Short Film - Awarded to filmmakers between the ages of 18 and 26, and currently attending a film program at a recognized college, university, or certificate program.

Best Young Filmmakers Award - Awarded to filmmakers under the age of 18, with recognition according to age and/or grade level (depending on number of entries).

Best In Brooklyn - Awarded to the best entry shot in Brooklyn or directed by a Brooklyn-based filmmaker.

Peoples Choice Award - Recognition to the film that receives the most viewer upvotes. Attendees of the festival cast votes for their favorite film to determine the winner.

More About the Brooklyn Scifi Film Festival

Born from a DIY spirit, the BSFFF is committed to being a place of inclusiveness. From its inception, the team behind the BSFFF knew they wanted to create an event that was open to anyone with the passion and determination to get their film made. “Unlike established festivals, which have acceptance rates that resemble the Ivy League, the Brooklyn SciFi Film Festival is a non-elitist home for indie filmmakers everywhere,” said Michael Brown, the co-founder and executive director of BSFFF. “It is, in that sense, the film festival for the people.”

Hat tip to @inkican for his post on @scifi that gave me the heads up on the festival.

cross-posted from: https://kbin.social/m/13thFloor/t/403415

The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter.

The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and largely subtle "Dutch angle" camera technique, is a major feature of The Third Man. Combined with the iconic theme music by zither player Anton Karas, seedy locations and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical post-war Vienna at the start of the Cold War.

Greene wrote the novella of the same name as preparation for the screenplay. Karas's title composition "The Third Man Theme" topped the international music charts in 1950, bringing the previously unknown performer international fame; the theme would also inspire Nino Rota's principal melody in La Dolce Vita (1960).[citation needed] The Third Man is considered one of the greatest films of all time, celebrated for its acting, musical score and atmospheric cinematography.[5]

In 1999, the British Film Institute voted The Third Man the greatest British film of all time. In 2011, a poll of 150 actors, directors, writers, producers and critics for Time Out ranked it the second best British film ever.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/478961

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/429137

Shadow libraries, sometimes called pirate libraries, consist of texts aggregated outside the legal framework of copyright.

Today's pirate libraries have their roots in the work of Russian academics to digitize texts in the 1990s. Scholars in that part of the world had long had a thriving practice of passing literature and scientific information underground, in opposition to government censorship—part of the samizdat culture, in which banned documents were copied and passed hand to hand through illicit channels. Those first digital collections were passed freely around, but when their creators started running into problems with copyright, their collections “retreated from the public view," writes Balázs Bodó, a piracy researcher based at the University of Amsterdam. "The text collections were far too valuable to simply delete," he writes, and instead migrated to "closed, membership-only FTP servers."

More recently, though, those collections have moved online, where they are available to anyone who knows where to look.

The purpose of this site, then, is to have all these libraries at our fingertips when in need of a certain text or book.

As Aaron Swartz put it:

"Information is power. But like all power, there are those who want to keep it for themselves."

We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access.

With enough of us, around the world, we'll not just send a strong message opposing the privatization of knowledge — we'll make it a thing of the past. Will you join us?

Read the full text of the Guerilla Open Access Manifesto

cross-posted from: https://kbin.social/m/13thFloor/t/476755

Don't panic, and bring a towel.

For seasoned galactic travelers, if you're looking for the Ultimate Hitchhiker's Guide to the Galaxy, which includes:

• Hitchhiker's Guide
• The Restaurant at the End of the Universe
• Life, the Universe, and Everything
• So Long and Thanks for All the Fish
• Young Zaphod Plays It Safe
• Mostly Harmless

... this wormhole should get you there.

Also, upon conferring with both Space and Ice Pirates, I've been persuaded to also provide their contribution here in honor of the late, great Douglas Adams.

Now could you guys please untie my cats and get them off the plank?

cross-posted from: https://kbin.social/m/13thFloor/t/473436

Long ago, so the Storyteller claimed, the evil God Torak sought dominion and drove men and Gods to war. But Belgarath the Sorcerer led men to reclaim the Orb that protected men of the West. So long as it lay at Riva, the prophecy went, men would be safe...

Wikipedia

• Pawn of Prophecy
• Queen of Sorcery
• Magician's Gambit
• Castle of Wizardry
• Enchanter's End Game
• Alternative formats

This series remains some of the best fantasy I've ever read, and it's often very hard to find, as it's been out of print for a while now in most places.

Content Warning: David Eddings has a checkered past regarding the abuse of his adopted son, which he served a year in jail for in 1970. There are likewise dark themes in these novels that some readers may find disturbing. That being said, I believe the work stands on its own as a masterpiece of world-crafting. Please note I present it on those grounds, not as any endorsement of Eddings himself.

cross-posted from: https://kbin.social/m/13thFloor/t/317329

The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi as "Joliet" Jake Blues and Dan Aykroyd as his brother Elwood, characters developed from the recurring musical sketch "The Blues Brothers" on NBC variety series Saturday Night Live. The script is set in and around Chicago, Illinois, where it was filmed, and the screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway (in his final feature film role), Aretha Franklin, Ray Charles, Chaka Khan, and John Lee Hooker. It features non-musical supporting performances by Carrie Fisher, Henry Gibson, Charles Napier, Kathleen Freeman and John Candy.

More detail

cross-posted from: https://kbin.social/m/13thFloor/t/468551

Original post credit to @_rhofman@kbin.social

The Commander-in-Chief answers him while chasing a fly
Saying, "Death to all those who would whimper and cry"
And, dropping a barbell, he points to the sky
Saying, "The sun's not yellow, it's chicken"

cross-posted from: https://kbin.social/m/13thFloor/t/468313

Black Orpheus (Portuguese: Orfeu Negro [ɔɾˈfew ˈneɣɾu]) is a 1959 romantic tragedy film directed by French filmmaker Marcel Camus, and starring Marpessa Dawn and Breno Mello. It is based on the play Orfeu da Conceição by Vinicius de Moraes, which set the Greek legend of Orpheus and Eurydice in a contemporary favela in Rio de Janeiro during Carnaval. The film was an international co-production among companies in Brazil, France and Italy.

The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song "A felicidade" opens the film; and Luiz Bonfá, whose "Manhã de Carnaval" and "Samba de Orfeu" have become classics of bossa nova. The songs performed by Orfeu were dubbed by singer Agostinho dos Santos.[6] Lengthy passages of filming took place in the Morro da Babilônia, a favela in the Leme neighbourhood of Rio de Janeiro.

Black Orpheus won the Palme d'Or at the 1959 Cannes Film Festival, the 1960 Academy Award for Best Foreign Language Film, the 1960 Golden Globe Award for Best Foreign Film and was nominated for the 1961 BAFTA Award for Best Film.

Important to note, there's some controversy over the film in Brazil:

While the 1959 adaptation has been celebrated internationally, it has been criticized by Brazilians and scholars for exoticizing Brazil for an international audience and reinforcing harmful stereotypes.

and...

The Palme d'Or and Oscar-winning film was celebrated internationally and criticized in Brazil; Vinicius de Moraes, author of the play Orfeu da Conceição upon which the film was based, was outraged by the film and left the theater in the middle of the screening. Critics of the adaptation by Marcel Camus argued that it reinforced various stereotypes about Brazilian culture and society and about Afro-Brazilians specifically, portraying the characters as "simple-minded, overtly sexual, and interested only in singing and dancing." Setting out to make itself more "appealing" to foreign audiences, the film resorts to a "cheap and problematic exoticism" of Brazil.

Wikipedia

This movie is an explosion of cinematic joy de vivre, unique in the energy it brings to a classic tragedy, and a unique picture of Brazil in the late 50s, I've decided to let the audience decide where their opinions sit in the controversy above.

Captions in English available in settings -> captions on the player for those that don't speak Portuguese.

cross-posted from: https://kbin.social/m/13thFloor/t/468547

David Day's A TOLKIEN BESTIARY is a scholarly, definitive and enchantingly beautiful explanation of all the imaginary beasts, monsters, races, nations,deities, fauna and flora of J.R.R- Tolkien's fantasy worlds of Middle-earth and the Undying Lands.

David Day has identified, analyzed and described 129 separate races. Each is lucidly explained in terms of its physical appearance, language, behavior and culture. A TOLKIEN BESTIARY does not retell their stories: its purpose is to make Tolkien’s own books more accessible by identifying his living creatures and explaining their roles in his epic world.

While not the most accurate of the Tolkien Bestiaries, this one was the first, and the one with the best artwork.

Downloads for the novels:

• Fellowship of the Ring

• The Two Towers

• Return of the King

• The Silmarillion

cross-posted from: https://kbin.social/m/13thFloor/t/359206

Karel Čapek’s last major novel, War with the Newts, is a satirical dystopian masterpiece, both prescient and timeless, uniquely Czech and yet universal in appeal. Published in 1936, it remains one of the most thought-provoking novels ever written.

Wikipedia

The full novel in html, courtesy of Project Gutenberg Australia