cross-posted from: https://kbin.social/m/13thFloor/t/371761

A list of over 200 gaming systems available in various free formats, classified as follows:

• Open Source
• Free
• Retroclones
• Quickstarts
• System Reference Documents
• Card Games

cross-posted from: https://kbin.social/m/13thFloor/t/513056

The Brooklyn SciFi Film Festival returns for 2023 with 135 films selected for screening October 9 through the 15th. SciFi fans from around the world are welcomed to join this one-of-a-kind event as all films will be made available online for streaming and rating through Brooklyn SciFi's Netflix style festival platform. This year we are proud to select the best films from independent filmmakers representing 26 countries, including first-time filmmakers and industry veterans alike. Classic SciFi themes of time travel, malevolent and friendly robots, clones, space travel, and aliens are well represented along with a renewed focus on A.I. appropriately including some of the festivals first A.I. generated content. U.F.O. fans are sure to enjoy several documentaries delving into extraterrestrial visitors including Accidental Truth - UFO Revelations narrated by actor Matthew Modine (Full Metal Jacket, Stranger Things).

"When the headlines are filled with stories of A.I., dystopian climate change, and UFOs, it's hard to deny we're living in a SciFi future. Let us be your guide."
— Michael Brown, Executive Director - Brooklyn SciFi Film Festival     

Categories include Live Action Short Films, Animation, Comedy SciFi, SciFi Documentary, Feature Films, Student Films and Young Filmmakers. The complete listing of selected films is available online at the BrooklynSciFiFilmFest.com website. The Brooklyn SciFi Film Festival is kicking off its fourth season this year on October 9th and will stream online through October 15th. There will be special events each night as well as watch parties, voting, panels, and the return of the 4th season of our curated film series The Sixth Borough featuring three outrages dystopian SciFi tales each episode. Think of it as the Black Mirror or Twilight Zone of independent SciFi.
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Online and In-Person Events

Events include a Best of Brooklyn screening of 12 Brooklyn-based SciFi short films at Stuart Cinema Cafe in Greenpoint, Brooklyn on October 11th. Animation Exploration night with a panel of 10 animators followed by an evening of films available online on October 12th, a 10th Anniversary online screening of the feature film Computer Chess by director Andrew Bujalski October 13th, and the Alamo Drafthouse Cinema in-theater event and after party in Brooklyn on On Saturday October 14th, where we will feature a program of select short films and announce awards in each category. Tickets are available on Eventbrite or from the Brooklyn SciFi website at brooklynscififilmfest.com.

Filmmakers will be recognized in the following categories:

Best Feature Film - Awarded to the best feature length entry selected by our committee.

Best Live Action Short Film - Awarded to the best live action (non-animated) short film (30 minutes or less) selected by our committee.

Best Animated Short Film - Awarded to the best animated (non-live action) short film (30 minutes or less) selected by our committee.

Best Comedy SciFi Short Film – Awarded to the best SciFi comedy short film across all ages and groups.
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Best Student Short Film - Awarded to filmmakers between the ages of 18 and 26, and currently attending a film program at a recognized college, university, or certificate program.

Best Young Filmmakers Award - Awarded to filmmakers under the age of 18, with recognition according to age and/or grade level (depending on number of entries).

Best In Brooklyn - Awarded to the best entry shot in Brooklyn or directed by a Brooklyn-based filmmaker.

Peoples Choice Award - Recognition to the film that receives the most viewer upvotes. Attendees of the festival cast votes for their favorite film to determine the winner.

More About the Brooklyn Scifi Film Festival

Born from a DIY spirit, the BSFFF is committed to being a place of inclusiveness. From its inception, the team behind the BSFFF knew they wanted to create an event that was open to anyone with the passion and determination to get their film made. “Unlike established festivals, which have acceptance rates that resemble the Ivy League, the Brooklyn SciFi Film Festival is a non-elitist home for indie filmmakers everywhere,” said Michael Brown, the co-founder and executive director of BSFFF. “It is, in that sense, the film festival for the people.”

Hat tip to @inkican for his post on @scifi that gave me the heads up on the festival.

cross-posted from: https://kbin.social/m/13thFloor/t/403415

The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter.

The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and largely subtle "Dutch angle" camera technique, is a major feature of The Third Man. Combined with the iconic theme music by zither player Anton Karas, seedy locations and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical post-war Vienna at the start of the Cold War.

Greene wrote the novella of the same name as preparation for the screenplay. Karas's title composition "The Third Man Theme" topped the international music charts in 1950, bringing the previously unknown performer international fame; the theme would also inspire Nino Rota's principal melody in La Dolce Vita (1960).[citation needed] The Third Man is considered one of the greatest films of all time, celebrated for its acting, musical score and atmospheric cinematography.[5]

In 1999, the British Film Institute voted The Third Man the greatest British film of all time. In 2011, a poll of 150 actors, directors, writers, producers and critics for Time Out ranked it the second best British film ever.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/478961

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/429137

Shadow libraries, sometimes called pirate libraries, consist of texts aggregated outside the legal framework of copyright.

Today's pirate libraries have their roots in the work of Russian academics to digitize texts in the 1990s. Scholars in that part of the world had long had a thriving practice of passing literature and scientific information underground, in opposition to government censorship—part of the samizdat culture, in which banned documents were copied and passed hand to hand through illicit channels. Those first digital collections were passed freely around, but when their creators started running into problems with copyright, their collections “retreated from the public view," writes Balázs Bodó, a piracy researcher based at the University of Amsterdam. "The text collections were far too valuable to simply delete," he writes, and instead migrated to "closed, membership-only FTP servers."

More recently, though, those collections have moved online, where they are available to anyone who knows where to look.

The purpose of this site, then, is to have all these libraries at our fingertips when in need of a certain text or book.

As Aaron Swartz put it:

"Information is power. But like all power, there are those who want to keep it for themselves."

We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access.

With enough of us, around the world, we'll not just send a strong message opposing the privatization of knowledge — we'll make it a thing of the past. Will you join us?

Read the full text of the Guerilla Open Access Manifesto

cross-posted from: https://kbin.social/m/13thFloor/t/476755

Don't panic, and bring a towel.

For seasoned galactic travelers, if you're looking for the Ultimate Hitchhiker's Guide to the Galaxy, which includes:

• Hitchhiker's Guide
• The Restaurant at the End of the Universe
• Life, the Universe, and Everything
• So Long and Thanks for All the Fish
• Young Zaphod Plays It Safe
• Mostly Harmless

... this wormhole should get you there.

Also, upon conferring with both Space and Ice Pirates, I've been persuaded to also provide their contribution here in honor of the late, great Douglas Adams.

Now could you guys please untie my cats and get them off the plank?

cross-posted from: https://kbin.social/m/13thFloor/t/473436

Long ago, so the Storyteller claimed, the evil God Torak sought dominion and drove men and Gods to war. But Belgarath the Sorcerer led men to reclaim the Orb that protected men of the West. So long as it lay at Riva, the prophecy went, men would be safe...

Wikipedia

• Pawn of Prophecy
• Queen of Sorcery
• Magician's Gambit
• Castle of Wizardry
• Enchanter's End Game
• Alternative formats

This series remains some of the best fantasy I've ever read, and it's often very hard to find, as it's been out of print for a while now in most places.

Content Warning: David Eddings has a checkered past regarding the abuse of his adopted son, which he served a year in jail for in 1970. There are likewise dark themes in these novels that some readers may find disturbing. That being said, I believe the work stands on its own as a masterpiece of world-crafting. Please note I present it on those grounds, not as any endorsement of Eddings himself.

cross-posted from: https://kbin.social/m/13thFloor/t/468551

Original post credit to @_rhofman@kbin.social

The Commander-in-Chief answers him while chasing a fly
Saying, "Death to all those who would whimper and cry"
And, dropping a barbell, he points to the sky
Saying, "The sun's not yellow, it's chicken"

cross-posted from: https://kbin.social/m/13thFloor/t/468547

David Day's A TOLKIEN BESTIARY is a scholarly, definitive and enchantingly beautiful explanation of all the imaginary beasts, monsters, races, nations,deities, fauna and flora of J.R.R- Tolkien's fantasy worlds of Middle-earth and the Undying Lands.

David Day has identified, analyzed and described 129 separate races. Each is lucidly explained in terms of its physical appearance, language, behavior and culture. A TOLKIEN BESTIARY does not retell their stories: its purpose is to make Tolkien’s own books more accessible by identifying his living creatures and explaining their roles in his epic world.

While not the most accurate of the Tolkien Bestiaries, this one was the first, and the one with the best artwork.

Downloads for the novels:

• Fellowship of the Ring

• The Two Towers

• Return of the King

• The Silmarillion

cross-posted from: https://kbin.social/m/13thFloor/t/359206

Karel Čapek’s last major novel, War with the Newts, is a satirical dystopian masterpiece, both prescient and timeless, uniquely Czech and yet universal in appeal. Published in 1936, it remains one of the most thought-provoking novels ever written.

Wikipedia

The full novel in html, courtesy of Project Gutenberg Australia

cross-posted from: https://kbin.social/m/13thFloor/t/466120

Racks on racks, money ginja me
Opps, they talk, say na frequency
Had to laugh way they humor me
Runnin' it up with the urgency
Streets dey over ginja me
From the wall to the window seat
In the sun, through the storm, in the winter
I'm in the club, shawty moving like a ninja, ninja
Fresh to death, I'm beyond heat
Activist in my Dior jeans
Buss a jigg, feed you Molly
Feed my love like crack to this fiend
I can't be your lover
Too many things to lose
You love me with no honor
Don't wanna leave, I don't
I knew that you were trouble
Wasted eyes on you
I can't be your lover
Too many things to lose
Demon with the Dior on the dresser
Pop a Molly tessie in a Tesla
Let it warm your back and your neck (uh, uh, uh)
I'ma film it all, make a best-of
Edit it all, make it scene on scene
Under it all, know you scheme on me
Hottie million with a milli' on me
I wanna menage with the blicky on me
Turn the bass up (tell me what you want, want)
She want more to taste, uh (I can get it all, all)
(Pretty little bitch, give me pretty, give me nana)
(Take me to Nirvana, diamond in the sky-y)
I can't be your lover
Too many things to lose
You love me with no honor
Don't wanna leave, I don't
I knew that you were trouble
Wasted eyes on you
I can't be your lover
Too many things to lose

Wikipedia on Amaarae

cross-posted from: https://kbin.social/m/13thFloor/t/460362

The Songhai Empire (also transliterated as Songhay) was a state located in the western part of the Sahel during the 15th and 16th centuries. At its peak, it was one of the largest African empires in history. The state is known by its historiographical name, derived from its largest ethnic group and ruling elite, the Songhai people. Sonni Ali established Gao as the empire's capital, although a Songhai state had existed in and around Gao since the 11th century. Other important cities in the kingdom were Timbuktu and Djenné, where urban-centred trade flourished; they were conquered in 1468 and 1475, respectively. The Akan state of Bonoman was located to the south of the empire.[3] Initially, the Songhai Empire was ruled by the Sonni dynasty (c. 1464–1493), but it was later replaced by the Askia dynasty (1493–1901).

During the second half of the 13th century, Gao and the surrounding region had grown into an important trading centre and attracted the interest of the expanding Mali Empire. Mali conquered Gao near the end of the 13th century. Gao remained under Malian command until the late 14th century. As the Mali Empire started disintegrating, the Songhai reasserted control of Gao. Songhai rulers subsequently took advantage of the weakened Mali Empire to expand Songhai rule.

Under the rule of Sonni Ali, the Songhai surpassed the Malian Empire in area, wealth, and power, absorbing vast regions of the Mali Empire. His son and successor, Sonni Bāru, was overthrown by Muhammad Ture, one of his father's generals. Ture instituted political and economic reforms throughout the empire.

A series of plots and coups by Askia's successors forced the empire into a period of decline and instability. Askia's relatives attempted to govern the kingdom, but political chaos and several civil wars within the empire ensured the empire's continued decline, particularly during the rule of Askia Ishaq I. The empire experienced a period of stability and a string of military successes during the reign of Askia Daoud.

Askia Ishaq II, the last ruler of the Songhai Empire, ascended to power in a long dynastic struggle following the death of Daoud. In 1590, al-Mansur took advantage of the recent civil conflict in the empire and sent an army under the command of Judar Pasha to conquer the Songhai and gain control of the trans-Saharan trade routes. Following a defeat at the Battle of Tondibi in 1591, the Songhai Empire collapsed.

Wikipedia