this post was submitted on 09 Sep 2025
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Samurai at this point were samurai true, but mostly just office workers at this point. Not exactly the armored warriors most people would think of as a samurai.
Where would the pirates be from? Golden age of piracy had long past in Europe afaik. Or are we just being amorphous with the fact there are always pirates?
I think that's your B story right there, the fact that they're all misfits, too out of step with their times, driven by a wild yearning and a sense of romanticism. The movie itself is 0% anachronistic, but the protagonist are anachronistic in spirit.
Dracula meanwhile as a villain represents postmodernism, apathy, and the banality of evil. He's ironic, sleek, with it - a Londoner par excellence, rich and idle, but his life is a living death, figuratively as well as the whole undead thing.
The third act sees the protagonists combine their fighting styles excellently, but without avail. However, their foolhardy spirit and absurd heroism inspires Dracula to an inner awakening, and they come to an understanding in the end.
Post credits stinger: Van Helsing and Captain Ahab combine forces to take down a were-whale.