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submitted 10 months ago by 4realz@lemmy.world to c/technology@lemmy.world
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[-] MossyFeathers@pawb.social 126 points 10 months ago

Man, a lot of people here don't understand how the music industry works. From the perspective of someone who's been loosely following the music industry, what I've learned is that it doesn't matter if Spotify gave up 2/3rds of their revenue, or 100% of it, the artists would still make fuck all.

Why?

The labels love taking their cuts and as a result, artists make very little. Instead of taking the blame for giving artists a <10% cut of the label's revenue from their music (my understanding is that it's pretty common for musicians to get <10%, sometimes <5% if you're on a particularly shitty label), the labels are blaming platforms like Spotify.

Now, I'm not saying that Spotify is blameless, however I think there's a lot of misdirection from the labels going on. I don't remember anyone complaining about pre-spotify services like Pandora Radio for not paying out enough when they were largely ad-supported, which is another reason I'm not totally buying the, "it's cause it's free" argument either.

Fuck, remember Pandora?

[-] spacebirb@lemmy.world 67 points 10 months ago

Labels are an outdated concept that needs to die. Now that you can find any music from just a quick search artists shouldn't have to rely on them, at least not as heavily, for advertising.

[-] TheFriar@lemm.ee 16 points 10 months ago

Relatively “large” truly independent bands like KNOWER are starting to give true home recording a base of proof of functionality.

Power to bandcamp.

[-] downhomechunk@midwest.social 2 points 10 months ago

You've got my heart working overtime. Louis Cole is a monster.

[-] pelespirit@sh.itjust.works 8 points 10 months ago

Why isn't there some kind of genre music search for all artists without a label, Foss of course. From what I understand, when you're starting out in music, getting people to hear it is the hardest part.

[-] abhibeckert@lemmy.world 4 points 10 months ago* (last edited 10 months ago)

Artists aren't forced to sign a contract with a label. They do it because they want to.

They do it because the label will often invest a million dollars in the artist upfront before the songs are even available for the public to stream.

Good recording studios are expensive to hire. And if you want a video track to go with it... those are even worse.

[-] QueriesQueried@sh.itjust.works 7 points 10 months ago

Uhhhh, dunno about that one. Pretty sure it's public knowledge labels will go to almost any lengths to ensure artists cannot be independent, especially when they're small. Good recording quality is quite readily available in many large cities, either as a paid service (which sometimes is still outbid by labels), or through a public library. Many of the issues of "labels investing in artists" loop back around to "labels have made it physically impractical or impossible for the artist to invest in themselves".

[-] Alexstarfire@lemmy.world 3 points 10 months ago

Ehh, you've got a different but similar problem these days. Before, it was hard to get the word out so even finding new bands was difficult. Now, there are so many artists that you've got to find a way to stand out. Still need marketing. That's what labels provide.

[-] Plopp@lemmy.world 6 points 10 months ago

You don't need to give up the rights to your music to a third party for them to do marketing or handling legal matters for you. You just need to pay them for their services. And you should be able to choose from several competitors in the market, based on what they offer and what you want/need/can afford. So yeah, record labels shouldn't exist anymore.

[-] nihth@programming.dev 1 points 10 months ago

It's not needed, but for some reason artists keep signing, so there is probably something they provide that makes it worth it

[-] Plopp@lemmy.world 2 points 10 months ago

It's because it's the only game in town.

[-] echo64@lemmy.world 12 points 10 months ago

Indies are on sporify too. Spotify pays them shit too. Label or not.

[-] wolfshadowheart@slrpnk.net 19 points 10 months ago

They just changed the rules so that if smaller artists don't get a certain number of plays they don't even get a payout.

[-] GenEcon@lemm.ee 9 points 10 months ago

With less than 1000 streams per year.

This is solely to kick out the AI generated music, which is already taking a significant share of the payout from the musicians.

This change is not against smaller artists, but for them.

[-] t0fr@lemmy.ca 3 points 10 months ago

I kind of call bullshit on that take.

There's definitely AI generated music that can surpass 1000 streams per year and many real bands that cannot.

[-] lolcatnip@reddthat.com 1 points 10 months ago* (last edited 10 months ago)

Less than 1000 streams is like a band being unable to fill up a 100-person venue for a 10-song set once in a year (for the kind of band that plays live gigs). Opening acts for obscure bands play more than that. If you're that unpopular, you're hardly a band at all.

They didn't say all AI generated music gets less than 1000 streams; they implied most of it does.

[-] t0fr@lemmy.ca 1 points 10 months ago

But then are you implying that those bands that are that unpopular are undeserving of getting paid even a little? Because they're not a "real" band?

[-] lolcatnip@reddthat.com 1 points 10 months ago

Stuff that nobody wants to listen to just takes up space and clutters up searches, making it harder for people to find the stuff they actually want. It had negative value for the platform and for users. That's why they went the AI stuff gone. If a few actual bands miss out on a few dollars of revenue as a result of Spotify getting rid of the outright junk, I'm not gonna shed a tear over it.

[-] t0fr@lemmy.ca 1 points 10 months ago

You don't have to shed a tear. But I find your take incredibly harsh on bands that are trying to start out and find their audience.

Eliminating low quality AI content is desirable for me as well, but nuking even more incentive for bands that are starting out is the wrong thing to do in IMHO

[-] lolcatnip@reddthat.com 1 points 10 months ago

I don't actually know anything about where bands are supposed to find an audience, but I don't think bands who haven't found an audience should expect to get paid, the same way I don't expect to get paid for going to a job interview or engaging in a hobby. If a band doesn't have an audience they can reliably entertain, what they're doing is self promotion for their own benefit, not entertainment for the benefit of an audience.

[-] GenEcon@lemm.ee 1 points 10 months ago

Even if you are starting out thousands streams is nothing. I have a few friends who have a band. Its really small, basically everyone who listens to them knows them personally. They have 20 monthly listeners, but almost all of their songs on their own have 1.000 yearly streams – because Spotify puts them randomly into their automatically generated playlists.

Meanwhile kicking all the 'bands' out with less than 1000 streams allows them to pay the rest more.

[-] wolfshadowheart@slrpnk.net 1 points 10 months ago

I thought it was 2,000?

[-] raptir@lemdro.id 7 points 10 months ago

Pandora didn't replace buying music. They did not add the "on demand streaming" option until after Spotify was prevalent.

[-] Zerlyna@lemmy.world 6 points 10 months ago

I still use pandora free daily!

[-] scottywh@lemmy.world 3 points 10 months ago

Lots of people still use, and even pay for, Pandora.

[-] Kuma@lemmy.world 2 points 10 months ago

Do you know how the merch shops works? Spotify seems to be a reseller of some kind. How many % of the money is going to the artist usually?

[-] MossyFeathers@pawb.social 3 points 10 months ago

Not talking about Spotify merch, didn't even know that was a thing. I was talking about buying merch from the artist themselves.

this post was submitted on 17 Dec 2023
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