Prouvaire

The only major quibble that I have with the film is a design decision. When it came to the costumes, sets, and even ships the film takes a minimalistic approach - probably to highlight how far in the future the story takes place. The books describe the noble houses living in much more opulence.

I actually preferred some of the production design of the Lynch film for this reason. Overall of course, the Villeneuve version is superior.

The mainstream posters for tentpoles are almost floating headshots these days, but there are more interesting variations around. I quite like the IMAX poster for Dune Part 2, just as I liked the IMAX poster for Part 1.

Lots of negativity in this thread, but that seems to be par for the course for any fandom. Personally I'm cautiously optimistic.

Skydance produced/co-produced (often partnering with Paramount) on a number of franchise movies, including Star Trek, Mission Impossible, Jack Reacher, Top Gun, GI Joe, Terminator, The Old Guard and Spy Kids. Some of their productions have been well-received (eg Mission Impossible, Top Gun Maverick) and others less so (Terminator Genysis and Dark Fate, although personally I quite liked Dark Fate). They've also produced smaller, critically acclaimed movies like True Grit, Annihilation and Air; as well as their share of dreck of course, like Geostorm.

What I think is clear though is that Skydance is primarily interested in big franchises, so if they were to acquire Paramount, I think more Star Trek movies would very likely be in the works which, as a fan, I'd be happy about. I know there's an argument that Trek is best suited to TV, but some of the best Star Trek has been big screen Star Trek. And studios are more willing these days to have franchises run across both TV and film concurrently (MCU, DC, Star Wars), granted with mixed success.

Re Larry Ellison's involvement - my guess is that he'd be a silent partner, putting some of his personal fortune - rather than Oracle's funds - to help out his son. I believe he did the same thing for his daughter, Megan Ellison, whose company Annapurna Pictures he helped fun and which went on to produce films like Her, Zero Dark Thirty, Phantom Thread and Books Smart (and the stage musical A Strange Loop). I doubt Larry Ellison will take a hands-on role in the management of Skydance/Paramount.

You're not the only one who's picked up on this:
https://www.primetimer.com/quickhits/the-west-wings-hartsfields-landing-has-never-made-any-damn-sense

If you watch the show (and I've watched it a lot) you can tell that Aaron Sorkin wasn't writing to a detailed plan. I think a lot of his ongoing storylines grew organically (and were often turned in very late, which ultimately led to him being sacked from the show), which meant he sometimes repeated, or retconned, beats, or made other mistakes.

Hartsfield's Landing was probably named after Hart's Location, another New Hampshire town that has often votes at midnight. I recall reading a story that, because of the weather, of the three towns that usually do vote at midnight only Dixville did so this year.

edit: Hrrm. Turns out that's what the linked CNN story actually says. Serves me right for not RTFA.

I think the fact that Anson Mount nailed it as Pike helped. (He followed in the footsteps of Jeffrey Hunter and Bruce Greenwood - all three Pikes have been really good.) Personally, I suspect that the more SNW edges towards being TOS the less I'll enjoy - or, more accurately, the less I'll respect - it.

Franchises have always struggled to reconcile the need to reinvent themselves on the one hand, and the need to retain those elements that attract fans to the franchise on the other. As a long-time Star Trek fan I also want the franchise to push forward and try new things (and in some ways recent shows have done so - eg Lower Decks being Trek's first sitcom), but at the same time many fans just want to see the characters that they know and love, hence the obsession with bringing back - or tying new characters to - legacy characters (ala Strange New Worlds or Picard's third season). I wish they'd kept Kirk to the very last episode of Strange New World, and was even a bit disappointed to see the TOS Enterprise appear at the end of the first season of Discovery.

No worries. Even more unfortunately:

https://kbin.social/u/kostyassmchuk
https://kbin.social/u/nipa

Wonder if these all originate from the same IP address and, if yes, if there's a way of banning accounts from specific IP addresses.

I thought it was a well acted, somewhat slow moving murder mystery. Unfortunately I guessed the identity of the killer after two episodes, and thought both that, and a certain revelation about one of the characters, were overused tropes in the early 2020s. Give it a go and see if you like it.

@ernest in addition to the post I made yesterday, here are some more recent spam accounts:

https://kbin.social/u/tghntrftgr
https://kbin.social/u/StaceyHutchinson
https://kbin.social/u/liae
https://kbin.social/u/tvpcon
https://kbin.social/u/dddd
https://kbin.social/u/fohita1432
https://kbin.social/u/stream-auf
https://kbin.social/u/drtgdfgasrere
https://kbin.social/u/kohiy48308
https://kbin.social/u/itwatchnow
https://kbin.social/u/emilialia
https://kbin.social/u/sasharychkova
https://kbin.social/u/sasharychkova
https://kbin.social/u/kostyassmchuk
https://kbin.social/u/kitafaj803

@ernest

Recent spam accounts:

https://kbin.social/u/chasma15hassen
https://kbin.social/u/allmovies
https://kbin.social/u/bramdev528
https://kbin.social/u/sdgfdg
https://kbin.social/u/jamesrobort064
https://kbin.social/u/itwatchnow
https://kbin.social/u/streaming21
https://kbin.social/u/sdcsdsadsad
https://kbin.social/u/ghoosebumps
https://kbin.social/u/logan232688
https://kbin.social/u/@sophiya-beth930@kbin.chat
https://kbin.social/u/@BucksBeyond@r.nf

The "sort by hot" algorithm was probably designed with a larger user base in mind, but I agree with you. For small communities in particular (and the vast majority of Fediverse communities are still tiny) I think even posts with no upvotes (ie no self-upvotes) should be included in the "sort by hot" view. For larger communities, where the threshold for "new" and "hot" may be set higher, so it doesn't matter so much. (I don't know what the algorithm is, but it might be something like 'hot is defined as getting a minimum of X votes, where X scales with the size or activity intensity of the community'.)

Even though musicals are my life, I don't see every movie or TV musical in the same obsessive way that I see every stage musical that I can. To me musicals usually work so much better as live theatre. Also, I have a bias against jukebox show - I prefer original songs written specifically for the story. So it's taken me almost 12 years to catch up with Pitch Perfect. But I have to say I really enjoyed it. In some ways it's a standard, very predictable underdog story. (I think I was surprised by only one small thing - that the girl everyone thought was a lesbian actually did turn out to be a lesbian - I thought the twist would be that she was straight). But that predictability didn't spoil my enjoyment. Definitely a case of "it's not where you end up, but how you got there". I was most impressed by Anna Camp as the primary antagonist. She could have played the role in a very straight-forward, bitchy. even over-the-top way (much like Adam Devine played the secondary antagonist), but she gave her line readings an earnestness and undercurrent of insecurity that made her interesting and not unlikeable.

Also watched the fourth season finale of For All Mankind. Overall a better season than season 3 (because of less family soap opera) but not as good as the first two seasons. Still one of my favourite shows currently in production and I hope it gets a fifth season.