In a recent interview, Todd Howard explains how planet exploration in Starfield would have been a lot more punishing before the team decided to nerf "the hell out of it".

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"So the way the environmental damage works in the game, on planets, and your suit, you have resistances to certain types of atmosphere effects, whether that's radiation or thermal, etc., and that was a pretty complex system - actually, it was very punitive," Howard said on the podcast. "... And what we did at the end of the day, and it was a complicated system for players to understand, is we just nerfed the hell out of it. It matters only a little bit. It matters more in flavor. The affliction you get is more annoying knowing you have it."

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Howard's comment that Bethesda may address it "going forward" implies Starfield may receive a Hardcore or Survival mode-type difficulty level in the game. It would not be the first time Bethesda added a difficulty mode to one of its games post-release, as Fallout 4 received a Survival Mode a few months after launch. This added a set of features not found in the other difficulty levels, such as eliminating the option to autosave or save manually from the pause menu or stronger enemies spawning more frequently. Should such a mode be added to Starfield, the team could bring back the more punitive system for planet exploration.

Growing Light was first teased during the Letter from the Producer Live event at Fan Fest Las Vegas in July, confirming that Growing Light will be split across two major updates. The first will land in FF14’s patch 6.5 on October 3rd, ahead of the second part in patch 6.55 next January.

As detailed during producer Naoki ‘Yoshi-P’ Yoshida’s latest stream, patch 6.5 will add a host of new content to XIV, the headline additions being the next set of Main Scenario quests - referred to as Part 1 - that will lead up to Dawntrail and continue to advance the MMO in its post-Hydaelyn-Zodiark story arc following the finale of 2021 expansion Endwalker.

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CD Projekt have formally commented on the presence of references to the Russia-Ukraine war in Cyberpunk 2077's recently added Ukrainian localisation, apologising for dialogue lines "that can be considered offensive by Russian gamers", while reiterating their support for Ukraine.

In case you missed it, the Ukrainian script and menu localisation currently includes a number of antagonistic references to Russians and to the on-going Russian invasion of Ukraine. One dialogue line refers to a particular bandit group as "rusnia", and there's photo mode menu text for a squatting character that translates as "like a Russian". There's also lore text that apparently riffs on Ukrainian government rhetoric during the war, and a piece of in-game wallart that alludes to the dispute between Ukraine and Russia over Crimea.

Those buying an Xbox Series X can get a free Starfield copy at select retailers, including Verizon and Target.

Starfield is a popular game, with the title reaching over 10 million players since its global launch this month. Of course, aside from being available digitally and at retailers, Bethesda's sci-fi RPG is also available on Game Pass. Those who haven't bought the game just yet or aren't subscribed to Microsoft's game subscription service can now get a free copy of the game when purchasing an Xbox Series X. Both Target and Verizon are bundling the game for free with Microsoft's Series X console for 'only' $499.99. Interestingly enough, Target's offer isn't limited to Starfield, but it also works with various Xbox Series X titles, including Madden NFL 24, the new Mortal Kombat 1, Hogwarts Legacy, Call of Duty: Modern Warfare II, Star Wars: Jedi Survivor, and more.

As said, Verizon is currently offering a special limited-time Xbox Series X bundle with a free copy of Starfield for $499.99 (normally $569.98). This item is only available online, and those purchasing the bundle need to be at least 17 years old.

Members of the major SAG-AFTRA acting union have overwhelmingly voted in favour of authorising a potential video game strike.

Ballots were cast by 34,687 members, with 98.32 percent in favour of strike authorisation on the Interactive Media Agreement that covers union members' work on video games.

While this does not guarantee the union will call a strike, the next bargaining session is this week, and this ratchets up the pressure. The leverage of this authorisation could compel movement on either side.

While we wait (and wait) for Ubisoft to show more of Beyond Good & Evil 2, early footage from the project has surfaced from back in 2008.

Yes, 2008. We've really been waiting a while.

This is the version of Beyond Good & Evil we've seen in other clips released or leaked over the years, and which Ubisoft released an early trailer for (showing main character Jade and Uncle Pey'j in a car out in the desert).

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Capcom's president and chief operating officer has said he thinks game prices should go up.

Haruhiro Tsujimoto made the comments at this year's Tokyo Game Show, Nikkei reported. TGS is sponsored by the Computer Entertainment Supplier's Association, a Japanese organisation which aims to support the Japanese industry, which Tsujimoto is currently the chairman of.

"Personally, I feel that game prices are too low," Tsujimoto said, citing increasing development costs and a need to increase wages.

El Paso, Elsewhere is beautifully simple. It's a third-person action game in which you fire guns and dive through windows, triggering bullet-time as you whittle down ranks of converging foes. Its levels are labyrinthine, its hunger for carnage is nearly endless. It's a thrilling challenge at the standard difficulty and thoroughly cathartic if you drop down the damage you receive, set the ammo to infinite, and just thrash away in the abyss. All of this, yes, but what's special about El Paso is how it's been dressed up.

It comes in layers. A noir hero in a trenchcoat enters a motel and rides the elevator down to hell, stopping at every level along the way. Twin pistols, blocky outlines, fizzing, flickering shadows: at first it feels like a Stranglehold PS1 demake. The character models have the odd silhouettes and triangle noses of early Tomb Raider, while muzzle-flashes are lovingly ragged and pixelated at the edges. Environments have walls and floor and - most often - no ceiling, revealing a twisting Llamasoft sky, while each stage has the twisty-turny relentlessness of a great Doom level.

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Mobile game Final Fantasy 7: Ever Crisis is being developed for PC and will be available via Steam.

Square Enix made the announcement in a Japanese livestream dedicated to the game.

Data will be shared between the mobile and Steam versions, but no further information has been announced yet. It's currently unclear when the Steam version will be released.

A federal appeals court on Monday sided with the Biden administration against the state of Utah in a lawsuit over the Environmental Protection Agency’s (EPA) “good neighbor” rule, which regulates the flow of air pollution across state lines.

In a single-page ruling, a three-judge panel of the U.S. Court of Appeals for the District of Columbia Circuit declined to stay the EPA rule, writing that the plaintiffs “have not satisfied the stringent requirements for a stay pending court review.” The ruling states that one of the three judges, Judge Justin Walker, would have granted a stay.

The good neighbor rule regulates the air pollution that 24 upwind states may produce. The state of Utah in June sued over the rule, arguing its regulations of Utah’s pollution would harm the state’s economy and cost millions of dollars in upgrades to its coal plants.

The DC Circuit in March dismissed a utility-backed lawsuit against the rule, but in May, another court, the Eighth Circuit Court of Appeals, granted a request for a stay by Missouri Attorney General Andrew Bailey (R). Another court, the 5th Circuit in New Orleans, stayed the EPA’s rejection of Texas and Louisiana’s plans. In response, the agency postponed implementation in those three states as well as Arkansas, Kentucky and Mississippi.

A viral TikTok account is doxing ordinary and otherwise anonymous people on the internet using off-the-shelf facial recognition technology, creating content and growing a following by taking advantage of a fundamental new truth: privacy is now essentially dead in public spaces.

The 90,000 follower-strong account typically picks targets who appeared in other viral videos, or people suggested to the account in the comments. Many of the account’s videos show the process: screenshotting the video of the target, cropping images of the face, running those photos through facial recognition software, and then revealing the person’s full name, social media profile, and sometimes employer to millions of people who have liked the videos. There’s an entire branch of content on TikTok in which creators show off their OSINT doxing skills—OSINT being open source intelligence, or information that is openly available online. But the vast majority of them do it with the explicit consent of the target. This account is doing the same, without the consent of the people they choose to dox. As a bizarre aside, the account appears to be run by a Taylor Swift fan, with many of the doxing videos including Swift’s music, and including videos of people at the Eras Tour.

404 Media is not naming the account because TikTok has decided to not remove it from the platform. TikTok told me the account does not violate its policies; one social media policy expert I spoke to said TikTok should reevaluate that position.

The TikTok account, conversations with victims, and TikTok’s own lack of action on the account show that access to facial recognition technology, combined with a cultural belief that anything public is fair game to exploit for clout, now means that all it takes is one random person on the internet to target you and lead a crowd in your direction.

One target told me he felt violated after the TikTok account using facial recognition tech targeted him. Another said they initially felt flattered before “that promptly gave way to worry.” All of the victims I spoke to echoed one general point—this behavior showed them just how exposed we all potentially are simply by existing in public.

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Two years ago, the metaverse was billed as the next big thing - but many in the tech world have already moved on.

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But almost two years on, Zuckerberg has been forced to deny that he is now jettisoning the idea.

"A narrative has developed that we're somehow moving away from focusing on the metaverse," he told investors in April. "So I just want to say upfront that that's not accurate."

On Wednesday the company holds its annual VR event called Meta Connect.

It's a chance, perhaps, for Zuckerberg to again explain his reasoning for taking an extremely profitable social media company and diverting its focus to an extremely unprofitable VR venture.

How unprofitable? Well, the most recent figures from Meta are eye-watering.

Reality Labs - which as the name suggests is Meta's virtual and augmented reality branch - has lost a staggering $21 billion since last year.

Part of the losses reflect long-term investment. Meta wasn't expecting short-term returns. But the worrying fact for the company is that, so far, there is very little evidence that this enormous punt will work.

Horizon Worlds, a game published by Meta, is about as close as the company has got to creating a metaverse.

Users can hop into different settings - cafes, comedy clubs, night clubs, basketball courts - to hang out and play games.

Meta claims it has 300,000 monthly users: tiny when compared to the billions of people on Facebook and Instagram.

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