I voted, not that it mattered in the slightest, I'm not in a state where my vote means anything

My bad, that was a little aggressive. Dems wouldn't run Jesus Christ because he would be perceived as a socialist

The fact that liberals are blaming leftists and other liberals for this result instead of the complete and utter failings of the Democratic party this election cycle is mind boggling. Having Biden run for a second term was a huge blunder. Then when he was clearly unfit to run again, they rammed Harris through, even though she already primaried in 2020 and was extremely unpopular. Will the dnc take the blame and change anything though? Absolutely fucking not! They'll blame the voters for being racist or sexist or unmotivated or leftist or dumb or whatever. And people will eat it up, look at these comment sections already

All the frames are from the movie "We're the Millers"

This is why I run my own multinational telecommunications conglomerate

For those who, perchance, remain ensnared in a web of puzzlement and seek further elucidation:

Upon the immediate leftward expanse of the visually rendered image in question, astute onlookers and discerning individuals would undoubtedly identify a distinctive, yet increasingly ubiquitous format that has, with the relentless passage of time, surged forward, embedding itself deeply into the cultural zeitgeist, primarily through its proliferation on the digital social media behemoth known as TikTok. This inimitable format is a testament to the modern era's digital craftsmanship, where it harmoniously amalgamates a transient and ephemeral segment meticulously plucked from an interactive video game, an exquisitely framed visual documentation that indulges viewers in the delectable journey of ice cream artistry, and a poignant, perhaps even evocative, fragment extracted from the annals of the widely recognized and critically acclaimed animated television chronicle, "Family Guy." Astonishingly, all these disparate elements coalesce, seamlessly cohabitating the very same digital canvas, and serendipitously unfold in synchronized harmony.

Yet, if one were to meander their gaze, redirecting their ocular faculties towards the diametrically opposite side, specifically the rightward flank of this meme-centric artifact, a starkly contrasting tableau emerges. Herein, a seasoned news anchor, donned in professional attire, appears deeply engrossed in the solemn act of disseminating pivotal meteorological prognostications. In tandem, and perhaps adding to the sensory overload, a ceaseless and inexorable news ticker cascades downwards, acting as a conduit for a veritable cornucopia of timely news briefings. Augmenting this already bustling visual cacophony is a real-time, dynamic representation of the financial market's pulse, showcasing the capricious ebbs and flows of stock indices, all of which jostle, compete, and clamor for the viewer's fleeting attention within the confines of a singular, constrained screen territory.

The quintessentially TikTok-esque tableau, which graces the image's left hemisphere, is conjectured, hypothesized, and postulated to resonate profoundly with those individuals whose cognitive proclivities lean towards possessing what might colloquially be described as abbreviated attention durations. This observation rings particularly true for the more nascent generational cohorts, who, as prevailing societal narratives suggest, ostensibly require an intricate ballet of simultaneous, non-correlated visual stimuli to perpetually fuel and stoke the fires of their engagement and sustained interest in the ocean of digital content they so voraciously consume. In juxtaposition, the tableau on the right harks back to and encapsulates a time-honored, venerable modality of news dissemination, a paradigmatic archetype that has entrenched itself as an emblematic mainstay within the bastions of American televisual broadcast traditions.

The superimposed inscription, which succinctly proclaims "They are the same," injects a dose of sardonic wit, playfully insinuating that, beneath the veneer of their ostensible disparities in thematic content and contextual backdrops, these two visual formats, in their essence, might indeed be converging upon a singular, unifying teleological nexus, each meticulously tailored to satiate the nuanced appetites of their distinct viewership, albeit via markedly divergent stylistic avenues.

I think FNA and Monogame might be separate forks?

Windows is already on Apple products though? Bootcamp is an apple solution that is mostly used for running windows on mac os

https://support.apple.com/en-us/HT201468

bump

Chad GPT

MS only wants you using their apps to access it since they have some form of DRM on it. At least with games, even if you install them on your PC, you don't have access to the folders that they are stored in. For example, you can't mod Microsoft store games (easily), because you can't access the actual game exe

There's this utility for dumping uwp apps but idk how it works for shows

https://github.com/Wunkolo/UWPDumper