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this post was submitted on 13 Mar 2024
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I agree with the original post. It's what also killed it for me. Felt like the writers went for the lowest hanging fruit.
I mean it's Star Trek, skin color, gender, sexual orientation, nobody cares about that. Be whoever you want to be, you will be accepted. To me that's what Star Trek has always been about, you will always be included.
Don’t even remember when I stopped watching it, I tried a few episodes each season and I just gave up. Burnham has such a great smile but in all episodes she has a nervous breakdown and is always sad. At least that's how I remember the series in my head. Everybody's depressed. Don't remember anything else.
You're implying that Discovery showed characters giving a shit about someone's skin color, gender or sexual orientation?
The show wrIters OBVIOUSLY cared. So much so it shined right through the writing.
Yes absolutely! Well said. Progressive themes shined through in the writing, but on-screen the characters never made a big deal out of it. That's been very Star Trek since the days of TOS. An episode like "Let that be your Last Battlefield" would have a shoved-down-your-throat antiracist message, but it was a metaphor and not directly about Uhura, who's race was never discussed.
Well, except that one time by space Abraham Lincoln.
Everything Lincoln says to Uhura is the epitome of cringe. It was certainly a different time, but oh my gosh...
@MotoAsh @Lwaxana I think DS9 writers cared al lot more than Discos ones. Like, Sisko was misgendering Dax almost every time he addressed her (it wasn't serious as it was made obvious it was fine between them, but it was present in almost every episode). And Kor corrects himself quickly when Dax says she is Jadzia now, while the other klingons need more time to accept her. Meanwhile in Disco I only remember one instance of "I'd rather be addressed as this" "sure!".
Yea, that's sorta' what I mean. They cared about writing complex professional characters in ds9 and such, not drama queens doing contemporary art. Regardless of the high production value, it has the opposite soul of Star Trek for focusing on issues over humanized characters.
Ugh, it's so hard to describe good writing when I'm not a good writer. lol
The depression and other emotional issues is what got me. It's supposed to be Star Fleet, yet every character is like 12 flavors of drama that should be seen as unprofessional. I enjoy diversity, however Discovery constantly used it in a way where the characters are either struggling with their identity or have practically made it their entire personality, which is stupid because ST has made clear that in its future, no one gives a shit about that stuff because everyone is free to be who they are.
I mean, they even ran out of oppressed minorities and had to start making up their own like Saru's struggle with being a prey species. Or the fucking ship having an identity crisis.
Honestly, the alien stuff is exactly where there is most fertile soil for allegory there. That's what killed it for me, too. They're all unprofessional drama queens from the 21st century. Not space exploration officers from centuries in the future.