Two things here. I was forced to go induction when I moved house about fifteen years ago, and I love it. It's just better than gas. I'm terrible at many things, but I'm a good cook, and I can say, there's nothing I can do - nothing - that isn't better on induction. Admittedly, not crazy about the waste of new things, but even so, worth it.
Also, turns out, Big Natural Gas lied to you. It's dangerous (which the article states). This is a carrot and stick. I'm all electric, and working on solar soon.
I confess, I had no idea what the film was about when I saw it in the theatre, but something about it compelled me to watch it again. And my controversial take is that the film's story is really quite clear. Even though, again, I no idea what it was about when I first saw it.
It's about the effects of art. The stories are in no way disconnected, but all connected by a story, a work, a piece of music, etc. And each one carries forward, often in ways the author(s), inpirations, etc. had no way of understanding.
I'm a writer of very little renown, but I use the film to keep going. Because even if you're not an artist, your life will have an effect in way you can't know. And I love that idea.
Also, it was a crime that this film did not get any nominations for editing. It is, purely from a technical point of view, a masterclass. The beats of six separate stories cut together according to their lows and highs, and cutting away when you really want to know what's happening. If you don't like the film, that's entirely reasonable. But how it was put together is something to behold.