836
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
this post was submitted on 21 Jun 2024
836 points (99.1% liked)
Technology
60070 readers
3532 users here now
This is a most excellent place for technology news and articles.
Our Rules
- Follow the lemmy.world rules.
- Only tech related content.
- Be excellent to each another!
- Mod approved content bots can post up to 10 articles per day.
- Threads asking for personal tech support may be deleted.
- Politics threads may be removed.
- No memes allowed as posts, OK to post as comments.
- Only approved bots from the list below, to ask if your bot can be added please contact us.
- Check for duplicates before posting, duplicates may be removed
Approved Bots
founded 2 years ago
MODERATORS
Proving Netflix could be replaced by five hard working people.
Things are easier if you can steal stuff. And operate on a small scale.
They didn’t need the army of lawyers to get license deals, so that’s not a fair comparison.
Its almost like its unecessary shit made up in order to keep profits away from working people artificially
Yeah its almost like if we didn't keep extending copyright protections a bunch of stuff would be in the public domain and any streaming service could offer it without having to deal with licensing.
I mean that's all well and good, but then how would the very deserving shareholders get dividends?
Won't somebody think of the shareholders!?
PLS KEP LNE GOE UUP
maybe if they actually invested some money somewhere they would make some money for once.
It's true that Hollywood is corrupt and csuite pay is absurd, but those deals are the only mechanism by which ANY money makes it to the writers, actors and staff who deserve it
It's the exclusivity bullshit that gets me.
It could be: New movie is released! Anyone who pays the price tag gets to stream it!
But no, we must bidding war gouge.
On top of that, X Y and Z services exist in America, but not in other countries, so in this other country, everything is on Netflix, while I had to jump between three different services at one point just to watch Stargate
Hey, you're just salty that you didn't get in on the ground floor when Stargate was being exclusively streamed in a dedicated Stargate streaming service
Stargate+ Maxx Ultraviolet
Or fund new content
Their scale was also an insignificant fraction of what Netflix has, making the point even more irrelevant.
The best figure I could find on Jetflicks user count was 37k, where as Netflix has 269 million users.
Prices should go down with scale not up though.
There's initial investment on the initial servers (and the software), and afterwards it should be a linear increase of server costs per user, with some bumps along the way to interconnect those servers.
The cost also scales per content. Because that means more caching servers per user and bigger databases, and licenses.
So this service has less users and more content, it should be way more expensive. The only reason they are cheaper is because they don't pay those licenses.
The cost of storage in this case is more or less irrelevant - traffic is what matters here. You're also not getting any mentionable bulk discount on the servers for that matter.
The key is that you can engineer things in completely different way when you have trivial amounts of traffic hitting your systems - you can do things that will not scale in any way, shape or form.
If we get rid of the licensing we get rid of the lawyers.
If you get rid of licensing you get rid of the content
Certain types of content. But YouTube's own existence started because people made content without licensing rights.
Technically YouTube exists because three horny nerds wanted a dating site with video integration. It only turned into a video sharing site when they realized they couldn't find the clip of the Janet Jackson wardrobe malfunction and they decided they wanted to build that platform instead.
I wonder what youribe would have been like if they didn't sell to google
probably redtube
Not really. I can undersgand licensing but at this point it's become a distopian practice completely separated from the basic need to monetize the content an make a profit. That's why those companies become such gargantuans monsters.
If you save the cheerleader you save the world.
Nope. People will still make content. It'll be on far less of a budget, but that didn't stop the Film School generation of independent films in the 1970s (before which you had to sell your life and soul and beating heart to a studio). In between all the schlock were the occasional arty films we consider classics today.
And then there's government subsidization of art projects, as per the National Endowment of the Arts.
I think the MCU movies, the DC movies, the many studio iterations of Spiderman have shown us what capitalism eventually churns out. Sony actually chose this path content as product the same resort to formula that plagued the music industry in the 1980s (and drove the Hip Hop Independent movement of the next half-century).
We just need to empower artists. Make sure they don't have to moonlight as restaurant wait staff in order to eat and pay rent while they create, and make sure they have access to half-decent (not necessarily high end) hardware with which to do their thing. And yes, as Sturgeon observes, most of it will be schlock, but through sheer quantity of content we'll get more gems than Hollywood is putting out.
If you take away the ability to own and control your intellectual property, then you won't be empowered.
Licensing art allows creators to earn a living off of their hard work.
Not in the US or the EU. If you make music in the States, then RCA or Sony owns your content, not you, and when they decide they've paid you enough (which is much less than they're getting) then they still own your stuff. Also, if you make an amazing film or TV series ( examples: Inception, Firefly ) and the moguls don't like it, they'll make sure it tanks or at least doesn't get aftermarket support, which is why Inception doesn't have any video games tie-ins, despite being a perfect setting for video games.
Artists are empowered in their ability to produce art. If they have to worry about hunger and shelter, then they make less art, and art narrowly constrained to the whims of their masters. Artists are not empowered by the art they've already made, as that has to be sold to a patron or a marketing institution.
No, we'd get more and better art by feeding and housing everyone (so no one has to earn a living ) and then making all works public domain in the first place.
Intellectual property is a construct, and it's corruption even before it was embedded in the Constitution of the United States has only assured that old art does not get archived.
I think yes, an artist needs to eat, which is why most artists (by far) have to wait tables and drive taxicabs and during all that time on the clock, not make art. The artists not making art far outnumber the artists that get to make art. And a small, minority subset of those are the ones who profit from art or even make a living from their art, a circumstance that is perpetually precarious.
But I also think the public needs a body of culture, and as the Game of Thrones era showed us, culture and profit run at odds. The more expensive art is, the more it's confined to the wealthy, and the less it actually influences culture. Hence we should just feed, clothe and home artists along with everyone else, whether or not they produce good or bad art. And we'll get culture out of it.
You can argue that a world of guaranteed meals and homes is not the world we live in, but then I can argue that piracy (and other renegade action) absolutely is part of the world we live in and will continue to thrive so long as global IP racketeering continues. Thieves and beggars, never shall we die.
The only reason all companies prices go up these days is for CEO pay packages
I think it’s more for major shareholders (which includes CEOs, of course)
Like Boeing's CEO making 300 million.... imagine 300 people who worked their ass off could make million. Or 1500 hard workers could be making 200k. But nah, let's just drag these huge bags of money into this one asshole's account. Oh there were a couple of crashes right? 👍 Our thoughts and prayers 🙏. But not our money wagons.
Regulate monopolies and eat the rich.
Did they make the shows too?
Does Netflix make shows? Or does it slam its name onto filmmakers it pays to make content? If so, one of those things simply requires throwing cash at people, which I think is a skill that most people can learn.
Did the pirate site pay anyone to make new shows?
Does Netflix? Or do they pay production companies for content?
They use the subscription money to pay production studios. What did the pirate site use the subscription money for?
Servers, electricity, bandwidth, blackjack and hookers.